It looked fine to me but jeez, how much product does he have to use?

LOL but nobody remembers the characters name dupr I’m so clever.

You can just narrow your window to make it a regular article.

I think Sherlock Holmes might actually take the cake. Or maybe Dracula.

You didn’t see Return of the King in theaters? Or Satantango? :P

Huh?

Kate Winslet emulating Now, Voyager Bette Davis with her wide-brimmed hat and twink Leo say yes

Titanic is pretty gay

This was hugely underwhelming, proving that two ace performers can only do so much to salvage lousy writing. Even the “shock” comedy of the Christmas Carol sketch felt rehashed (see that classroom sketch where Pete Davidson is decapitated by a ceiling fan amid aghast students).

Maybe you remember Thanos because it’s literally a named derived from Ancient Greece naming a comic book character that’s been around for decades? Not a great argument there.

The implication being that Swift is a complete amateur with no experience who must rely on her filmmaking retinue to an even greater degree than a director who actually has experience.

They’re real directors who are professionally trained, surrounded by other people who are professionally trained. Not a head-in-the-clouds pop singer who decided helming a film having almost no experience with the medium would add a diamond notch to her belt.

I’m guessing it’s easier to “direct” when you’re surrounded by actual film professionals who know what they’re doing.

As others have said, streaming means for many they simply can’t see the film, as there are just too many streaming services to subscribe to them all. On a more macro level, the dominance of streaming is incredibly harmful to the theater business and to the kinds of films that can be made.

On the page, sure. But Payne does many things to make her come off worse, starting right away with that unflattering freeze frame on her. At the very least, it’s more ambivalent about her than purely laudatory.

The non-criticism “boring” always says more about the viewer than the work itself. Try better.

Nobody voted for the right film, considering The Irishman was the star of that year’s Best Picture lineup.

This just further cements the feeling for me that the film is an emperor with no clothes situation. Take a typical contemporary #MeToo story of a man abusing his power, sub a woman for a man to make it look more novel, voila. The problem is the gender change doesn’t come with compelling nuances or complications. It’s…

Sounds like it’s just revving up again, actually.

Known as sarcasm.