Sad but not totally surprising, since they both have such distinctive creative voices and seem to know what they want to do early on in their projects (both Fleabag and Atlanta are remarkably assured from the jump).  Like Scorsese making a movie with the Coens, you both want to see it and kind of understand why it…

Fuck, this made my morning.

Aw that genuinely makes me sad. This dude is the only person I have ever thought sufficiently apologized for homophobic lyrics and stuff.

I think they came in 6 minutes after you posted your comment.

Glad I got here before a certain commenter comes along and complains about how awful this show is and how it ruined society because he doesn’t like 4 specific episodes.

Before anyone thinks of doing this, please consider:

“He also noted that “there’s a long story to this,” which he plans on sharing in the future.”

NOBODY LIKES MILHOUSE!

believe it or not, some famous people still value their own privacy and making no public appearances for two months isn’t uncommon. even more so when most people probably recognized his mask more than his face

Yes, yes it can. Just because you don’t care doesn’t mean others don’t. Don’t be so dense. 

Doom was a mystery, in life and death.

Now I miss the WipeOut team logos.

Completely unrelated, but what the hell is this? Spanfeller completing the Forbesification of G/O?

Donna, your recaps are akin to the always-consistent dessert upon which you can count on and anticipate after dining in your favorite restaurant.

Would be nice if there was a site here that... ugh, I can’t keep up the sarcasm.

The one that just came to mind for me is the super violent (of course) Itchy and Scratchy satire of Fantasia.

Lots of Itchy & Scratchy-as-Disney references in the Supercut. Strangely not featured: Gag about Roger Meyers’ controversial 1938 short “Nazi Supermen Are Our Superiors;” Gag about Roger Meyers stealing the character of Itchy from another animator, etc. etc.

I see why you say it, but Locke and Key predates those 80s brats.