"Your guilty conscience may move you to vote Democratic, but deep down you long for a cold-hearted Republican to lower taxes, brutalize criminals, and rule you like a king." - The Simpsons, 1994

"Twenty years later, this segment feels as relevant as ever."

And his appearance in that shot, complete with the Marty-Scorsese-heightened-awareness-cam-of-SCIENCE, kind of sums up the romantic gangster image that the Ray Liotta character aspires to.

The shot where he breaks away from the circle of characters, laughing his ass off, and the camera stops circling to follow him.

The characters in Reservoir Dogs are less complex and lean more heavily on types, and there are several instances of lines of dialogue that are clearly there just to prompt other lines of dialogue. It's a great movie, but it plays in some ways like a rough draft compared to Pulp Fiction.

I was just about to say that. Nonchalantly stepping off the sinking ship is a terrific moment. Tells you everything you need to know about the character.

Bruce Lee surrounded by mirrors.

The shot they used from the Third Man might not be the most remembered shot, but it is a perfect shot. What is the Third Man if not Joseph Cotton pursuing Orson Welles into an underground filled with shadows?

I don't think there's any question that Close Encounters has a much stronger collection of shots to choose from. The original Star Wars movies have a style that's almost utilitarian by design. It's a counterweight to the terrific production work.

If you think about it, you can consider it as a baton being passed from filmmaker to filmmaker by tracking which directors get the lion's share of the shots in each time period. At least as far as the editor of the montage is concerned.

Mother of god, the Internet actually did a great job. Holy fuck?

Nobody approves of Guardians of Gahoole.

What?

Involuntary permanent leave.

Yes, but how many shows will he actually be singing at?

The reason we don't see many unrated theatrical releases is that there's a heavy stigma against it. Not so for direct-to-video movies, which are frequently released unrated without issue.

Bud Collyer, the voice of Superman in radio and the classic cartoons, innovated the approach of giving a superhero one voice and his secret identity another. It was out of necessity—how else would you know the difference between Clark Kent and Superman on the radio?

The only good thing Rex Reed has ever been involved in is Superman, and he was the worst part of it.

You know, discounting the fact that, ideally, a committed couple with no reason for suspicion should give each other the benefit of the doubt… "I'm a straight married guy going on a long canoeing trip alone with my platonic lady friend" does sound a wee bit suspect, doesn't it?

It's a typo. Corrected version is "Belladonna’s yelling-inflected yelling."