Cass Elliot’s, anyway.

Wouldn’t it be great to end up next to him on an international flight, and be able to ask him if he could just use his voice as his passport?

I love how the article describes Cox’s process as “turn it on. Turn it off”. Or as I like the call it, the Ian McKellen Extras approach:

Is it bad that I agree with Strong, and don’t really see “Succession” as a comedy? To me, it has always been a drama with comedic moments, but the entire story is an absurd tragedy.

[FARTS]

Yes, but I was already planning to be here all day, anyway.

“Hey doc, here’s one of the most beautiful women of the early 2000s, fix her face”

I’m afraid I can only handle one Chalamet.

“No, not a well! That’s the thing that Jews poison!”

For this I will refer you to my comment on previous coverage:

My dear boy, why don’t you just try acting?

St. Elmo’s Fired

So smart and funny and genius and sad. 

So glad to see an actress resisting the industry pressures to keep working, and instead rely on medical wisdom to care for her body. Now to take a gigantic sip of coffee as I google this rising star

I always figured his real name was Lars and you can only register a name once in the union.

But as in Wright’s last film, Baby Driver, the characters are shiny objects first and people second

This movie was extremely dumb and my favorite thing I’ve seen this year

It’s getting pretty generous reads from a lot of corners. There’s a lot of unironic praise for Malignant as if it were a genuine straight-down-the-middle good film (this article, for example). Then there’s a lot of people who take the obviously janky dialogue, plotting, acting, and direction as intentional homages to…

Did anyone else think this movie was awful?

Who, the children???