Agree to disagree. Or die by Kang's hand.

Agree on Lebowski. It's an incredible first 15 minutes followed by an hour and a half of meh

Kang will see your Jules and Jim and raise you THE ENTIRE FRENCH NEW WAVE. Much prefer Fellini, Leone, Fuller, Kurosawa, Dassin, Cassavettes… Anyone.

Kang actually appreciates FWWM as one of the most queasy and unsettling films he saw as a youth— one of the first films that he saw that cast such a spell of dread that he couldn't simply go eat Subway afterwards and just slip back into the groove of everyday life right away. It has its own strange power, and it's…

It's not enough that Gus' taste in Lynch movies is so baffling; he has to go the extra mile and insult people who don't share his low opinion of Mulholland Drive.

She's a fine actress so it's understandable that she get cast for something other than her looks, but this woman is a stone-cold FOX and it's a little weird that she plays so many motion-capture roles! Good for Marvel, get her back in front of of a real goddamned CAMERA.

Todd nails this. Everyone else is kind of a dum-dum.

Ugh, Sonia.

Yes. Shea's analysis, like the comic itself, is steaming garbage.

You are only encouraging Kang.

If you will agree to indulge Kang's eccentricities, he will agree to humor your strange habit of seeming unreasonably put out by behavior that doesn't pose any harm or inconvenience to you.

Best unspoken joke of the episode: Server Farm Dude's lanyard badge photo, which was him 30 years younger with heartbreakingly optimistic '80's flock-of-seagulls hair.

Kang remained a fan of BSG through the end, but it's still no 'Season 1 through 3' of GoT, which was on an entirely other level—essentially The Wire with dragons and giants. The past two seasons have been a LOT sloppier, writing-wise.

This episode was so good, you could claim it was Erlich's finest episode OR Jared's finest episode and you'd be right either way.

Kang can only fold his arms and lean back with an impressed look on his face. This show just completely wrecked me. Everything about it was gold. And the fact that it had the balls—the balls—to take such a rich premise and then just burn it to the ground in front of the audience's horrified eyes is breathtaking. …

'Hey Dinesh, nice chain, you use that to choke your mom while you're putting your penis in her butthole?' — Jared

Because it's unsatisfying to not have a definitive shape for a story—beginning, middle, and end. Comics go on indefinitely because of the nature of that medium, but one of the advantages that the movies have is they can't really go on forever, so they have an opportunity to provide definite closure. Also, it makes…

Kang agrees with this, with one caveat: If there's one aspect of Civil War that's disappointing, it's that it is such a chapter in a larger franchise that it doesn't really feel like the closing of a trilogy. Cap ditches his shield at the end, but we all know that's not going to last. Kang would have preferred to…

Kang was pretty damned impressed with how they portrayed his density-manipulating powers. When he turned himself into a wrecking ball to take down <awesomespoiler>-Man, it was pretty epic.

It's really sort of in plain sight— It's probably in the Winter Soldier file that Widow gives Steve at the end of 'Winter Soldier'. Widow may also have known— she warns Steve about 'pulling on that thread'— which is really great foreshadowing in retrospect.