Madea vs. M.O.D.O.K.

During those scenes in the existing riff, they used Disembaudio to good effect. Live, that won't be so easy.

Are we sure? Because with stuff like Birdemic and Starship Troopers they just read the old jokes live. I love them and like to give them money, but those "repeats" just feel like ripoffs.

Jeeves In the Effing

You wrote "ignores" but really you meant "puts on an easily-reachable shelf for a later, Portman-less era."

Commercial over.

Troof. Tesla was essentially the best bar band of the 80s. They didn't deserve to be cast down with the dandies and dimwits of the SoCal scene.

I loved George Lynch more than any non-sexually confused boy could love a chronically shirtless 30-something weirdo, but dude… Dokken records were 80+% hookless, logy, mid-tempo cowflops. The only one with more than one decent non-single track was Back for the Attack. YOU KNOW IN YOUR HEART I'M RIGHT.

Really? This is the hill you wanna die on?

We once brought an entire bag of superballs to throw at David Coverdale. He didn't seem amused.

"She writes like a Juggalo."

It is a dramedy, and a fun one. It'll give you the feels every 20 minutes or so and has fun with its own little tweaked reality. It's top-shelf schlock, with a game cast and decent FX and a new twist on the genre. It's also far better than your average budget- and humor-free ZA riff and I don't know why the reviewer…

This movie is way more fun than the above would have you believe.

They have gone a bit broader and louder, but I still love it. They've earned the affection.

DOUCHE NA-TION!

I shall call it… SUSAN!

TIL: what "corpsing" is, in theater-speak.

The pure speed runs were Eddie's twist, but a lot of his style was adapted from Richard. I can't imagine having had nearly as fun a childhood without either.

Which is true and also kind of funny, because as kids we adored that man. I haven't seen anything he's done in maybe 15 years and I still feel that affection, all based on how much I liked him when I was 11.

30 Rock betrayed us all with their orchestrally-arranged sneak attack version.