That is a carefully crafted statement by at least three PR firms working together.
That is a carefully crafted statement by at least three PR firms working together.
So, I watch the first half of his show on Sunday mornings (it is between the end of Meet the Press and the beginning of Face the Nation). He does ask tough questions, and occasionally tough follow-up questions, of the Republican/Trump-supporting guests. The problem is, he never asks the tough follow-up question a…
Inferred =/= implied
My plan has always been “walk downhill.” If you keep doing this, you’ll eventually hit water, and water leads to people.
Renault has gone to the trouble of flying to Japan to chat with longtime alliance partner Nissan about the latter’s possible merger with Fiat Chrysler
This has 0.00000000000000000000000000000000000000000% chance of hurting you, ever.
They did not create a singularity. They created an analogue. It’s discussed extensively in the article.
Is this like Nine Songs, where there’s five minutes of total plot, count it as 10 minutes if you’re being generous, and the rest is just concerts and fucking?
That’s the point - the label means that it is about taste, not safety. Non-perishable items are perfectly safe to eat beyond that date. (Literally the only exception is dry pancake mix.)
they treat their straight, white, protestant employees very well
That is the least worrisome finding in the report - in central Florida in May, they are EVERYWHERE, all the time. A restaurant that was cleaned top-to-bottom twice per day would still have dead lovebugs in the straw and sauce containers during a random health inspection.
This from the guy who refuses to watch Discovery because the technology in the new series isn’t made from 1960s set dressing?
That is not a waistline that has ever been to Golden Corral.
Producers literally just make sure people show up to work on time and get paid. They typically have zero creative input.
OR, The Force Awakens should have been normal SW story + Han gives up the Falcon, Leia gives up command, and Luke gives up the Force, so that the second one in the series is wholly new terrain with Rey/Finn/Poe/Kylo.
It is, actually, exactly how copyright works. When he dies, whatever rights he hasn’t already sold to his publisher are inherited by someone, and that someone gets to decide what to do with them.
It looks more like an EADF missile position.
It’s not infant deaths, it is infant sleeping deaths.
He has been legitimately good in the smaller, post-Twilight films that he’s done. I’m cautiously optimistic.
I already posted my thoughts on it, and they were valid points.