I left Twitter years ago because I couldn't handle the ceaseless poison. Twitter is a game; one that's not dissimilar to tic tac toe. The only way to win is not to play at all.

Needs more Dolph.

Ironically you can only access this officially if you're British. Worth a listen http://www.bbc.co.uk/news/u…

I ran out and bought Burn my Eyes by Machinehead solely because I saw a photo of Robb Flynn wearing a Reservoir Dogs t-shirt. It worked out pretty well.

In the UK, everyone has accepted that The Stone Roses are one of the greatest bands of all time, and that their debut album is a work of outright perfection.

If you watch the full clip, afterwards the presenters make a big fuss about how well staged the sequence is, which makes it even weirder. I laughed.

Interview this guy once a week.

That chat was my first exposure to the man and he seemed pretty amiable.

The original Pusher DVD is worth owning for the great Refn / William Lustig commentary. That Dane clearly loves Maniac Cop. I'll pay to see a remake if he's involved.

The finest trailers, regardless of how differently they're constructed, all do exactly the same thing: they tell us everything and nothing.

I hated Legend, and I have absolutely no idea why it was even made. It isn't interested in the Kray brothers. It isn't interested in their ties to the Mafia, or in London in the 1960s. It isn't even interested in the crack squad of policemen trying to take them down. It's a dung melodrama about a relationship that…

Isn't it great that Christopher Lloyd retired from acting only to seamlessly transition into the über-successful producer of Modern Family?

Irvine Welsh is a genius but Porno is a profoundly lousy book. I hope the film bears scant relation to it.

After seeing a late show of Jonathan Glazer's Under The Skin, I walked around the block for over two hours in a daze. I can talk about my favourite movies for several hours apiece, but I can't deconstruct that film for the life of me. I still feel dumfounded and haunted just thinking about some of the shots in it.…

A humble, thoughtful and fascinating man. Nightmare on Elm Street is as profound and ingenious as some of the finest Grimm fairytales. I hope someone writes a superb book about him soon; he was a strange, beautiful Hollywood anomaly and he deserves to be remembered as such. RIP.

Waterworld is a nearly great film but Costner is a fully douche douche. One opinion is starting to cancel the other out.

The Mighty Boosh is the definition of a hit and miss comedy, but The Nightmare of Milky Joe is still hysterical even though I must have seen it thirty times http://www.dailymotion.com/…

We were shown The Neverending Story at school on a rainy day as a bunch of 7 year olds. 7 year olds find it very difficult to disguise hysterical sobbing. What a racket.

William Friedkin's To Live and Die in L.A is far superior to The French Connection.

Never heard of this guy before, but I just belly laughed at every one of the pictures embedded in this piece. New fan.