Pretty sure he doesn't use the shot in FWWM does he? I just remember it being used in the original pilot, the opening of The Return, and here.

Yeah the show pretty much takes up my whole Sunday night. I spend an hour watching, and then next few chatting and reading about it online. It's really a very fun way to engage with a series that's increased my enjoyment of it tenfold.

Honestly I don't think he's done much in a long time that was obvious awards bait. Actually the ones he did that seemed more Oscar-y (J. Edgar, The Great Gatsby), ended up being snubbed. But the ones he's actually been nominated for were more just him taking challenging roles from major directors. I think just about…

It did increase enormously in popularity, gaining about a million viewers since S2, and holding strong as the second most watched show on cable on Sundays.

Yeah not to mention Amazon.

The article pretty much says as much in the first paragraph, it wasn't intended as a snapshot of the time. And lists made in hindsight tend to be more interesting than ones made at the time.

Yeah I can agree with Jackie Brown at #1 but L.A. Confidential is waaaaaaaaaaaaaay too low. It should definitely be 2 or 3 at the very least.

She was working regularly for four years afterwards, so I'm not sure that really holds water…

Apparently that guy was filmed introducing every act, Lynch just cut out most of the introductions.

I think she just meant that she can't get any decent security because the only people interested are wannabe tough guy truckers looking for some extra cash.

Nadine seems pretty stuck in the same place. She's managed to turn it into a successful business, but she's still hung up on drape runners and watching trash tv (of a different sort). She does seem to have come to terms with it though and managed to find a bit of happiness in a way. She also seems somewhat more…

It's also possible that he doesn't know she has the coordinates and that she hasn't mentioned them, as she's actually attempting to undermine/escape from him. But there's a number of possibilities here.

The "You're still with me" moment happened prior to Episode 8, while Dark Coop was still in jail though. It's kind of ambiguous as to whether BOB is still with him now or if the doppelganger is entirely his own thing now.

I feel like the presentation here is less soapy, but I don't think a lot of the actual plot content really is when you step back and think about it. Dougie Jones in particular is basically living in a daytime soap crossed with a hacky 70's sitcom.

You DO know they followed up on the Miriam stuff last episode, with Sheriff Truman visiting Ben Horne and letting him know that Richard killed the child, telling him they were looking for Richard, and asking Ben to cover her medical expenses, right? And the Twin Peaks Sheriff Department is pretty big, so it's not…

Odd that Ben said that Richard "never had a father" last episode though, without saying anything about his mother.

Yeah I think it's because he's really one of the primary characters we've been following in this series, so it's kind of natural to root for him in a way: we don't see things from Ray's perspective, for instance, and he only pops up when he's important to Bad Coop.

There have actually been four episodes with no Roadhouse performance: 1, 5, 7, and 11. I wasn't even trying to sync them up with the rest of the timeline, but there's a lot of other weird timeline stuff going on.

I love how accustomed she's become to just reaching over and closing his car door from the inside.

Wait, there have been calendar dates in almost every episode? I haven't noticed that at all and I've seen every episode multiple times. If it's newspapers, etc. then those are often wrong and match the narrative in film and tv.