BUT THE EMAILS! THE EMAILS!

It's incredible that someone so knowledgable on the subject of horror movies could be so clueless when it comes to making them.

I'm not a fan of Cannibal Holocaust at all yet I agree with this statement 100%.

I actually liked The Devil's Rejects. Hated everything else Zombie directed.

Why on Earth would the makers of that game force anyone to act out that song? It's probably one of the worst karaoke songs ever.

You know things are bad when Eli Roth, of all people, the director of Hostel Part II and The Green Inferno, is the voice of reason.

It's called "Another Way to Die" by Alicia Keys and Jack White. Either vocalist would've been fine on their own. But together, it's pure cacophony.

I thought Die Another Day had the worst song until Quantum of Solace. It's not a duet, it's two singers competing over who gets to sing the title song alone. They both lose.

My first theatrical Bond was Die Another Day. Ugh. Even though it was goofy and lousy and Madonna's theme song was like coarse sand paper to my ears, it was still fun at the time to finally see a Bond film on the big screen.

I don’t like winning. It’s coarse and rough and irritating and it gets everywhere.

E.G. Marshall, presented in PERCEPTO! (that chair buzzer gag from William Castle's THE TINGLER)

Only if it plays out like the crowded cabin scene in Marx Bros' A Night at the Opera.
https://www.youtube.com/wat…

I guess his 15 minutes are over.

The Village People's "Milkshake" should've played over the end credits.

It's only racist if he doesn't act like a Mobster.

I thought Reince Preibus died at the end of Rogue One.

But what about Colonel Sanders?

Ether or.

John Byrne wrote a 2-issue story about that.

What does David Niven say?