The way Bob connected with him so well and so carefully — he knew and knew Ginsberg was fragile.

You will indeed never understand women if you're using fictional women written by men in TV shows as some sort of Rosetta Stone for the gender.

Ginsberg's mental illness did not come out of nowhere. They've been building it up since he was introduced. TLo even called it very clearly during his breakdown last season's: http://tomandlorenzo.com/20…

It probably doesn't hold up but I remember this show quite fondly, especially the way the guys repeated darkly to each other, "He *even* looked it up on the *internet.*"

I never ever heard that and if it is the case, they did a piss-poor job of introducing Wesley. If you look at the last bullet under the "writing and acting" section of Quinn's bio, there is a quote that supports what I've always understood about the situation. He died a couple of years later probably about mid-run of…

He didn't want out, though. At least, as far as I heard, he was written out because of the drug problems he had which led to his death not very long afterwards.

Except I'm pretty sure she didn't leave because the actress wanted out of the show.

Well, I'm pretty sure they all knew he'd left town for a few days. I imagine he sent them a text at least. All he had to do was say "Lyla emergency!" and they'd give him a free pass.

I loved the Ostrander reference — He created the Suicide Squad and Amanda Waller (and Oracle), so it was a pretty awesome little shout-out.

This is not high art comedy at all, but I it's the only somewhat traditional sitcom I watch because it is original in its own little way (thanks to Robin and the cast). I disagree with Phil on the women. I think both Gellar and Setton generate a lot of laughs and are important members of an ensemble that really does…

I assure you, I was yelling, "FUCK FUCK FUCK!" at my TV throughout the last few minutes of the finale. So hard-A for me.

Not Aimee Mann, though. She hates playing Vampire towns.

I didn't enjoy The Usual Suspects very much after being spoiled for the twist. Conversely The Crying Game might have been even better (though I'll never know) because the suspense was just through the roof and it shaded a lot of the pre-reveal interactions in a really cool way knowing what the protagonist didn't.

Do you even *go* here?

It wasn't pimped out to them — YA didn't even exist as a market back then. These were adult books that middle and high school aged girls stole from their moms and shared with each other.

I muttered at the TV during the preview, "Joel, I think you're overreacting a smidge."

Maybe it's your belief in your own dreamy-looking-ness and amazing hair that's the problem. Drew is also self-effacing and humble.

I think we've had a great crop of excellent superhero flicks to choose from, but it definitely is one of my favorite re-watches in the genre. The way it both sends up and embraces superhero conventions is masterful. And it's just so much fun.

I didn't forget; I didn't know that! That just makes it even MORE awesome!

It's odd he'd be so at sea with the part since he participated in the Curse of the Fatal Death a few years before. The thing I like the most about Richard E Grant following Paul McGann in the role is that it makes it possible that somewhere out there is an epic Doctor Who/Withnail and I fanfiction crossover series…