It occurred to me that Paige has either become pro-Russia radicalized or, in an unforeseen twist, the opposite. Paige is sheltered and handled with kid gloves but she's not cut off from a wider world of information access. She's also curious, independent & a critical thinker. The outcome of all this may culminate in…

I think you hit the nail on the head.

and perhaps, as a teen might, overcompensating in his efforts at "re-dedication." Tuan is still rebounding from being chastised for his sudden disappearing act.

Not crazy at all. I'm in my mid-50s now and I honestly believe this will go down as my all time favorite series over my lifetime. I'm grateful that, knock on wood, I will see it through to the last episode.

Triple shot Sunday —> E5 of Guerilla on Showtime also featured one in an interrogation room scene. I had it DVR'd so it was the last show of my night. By the time it was all over I was like "Great Scot! What just went down on the Premium channels tonight?"

or….maybe Kevin saw him in the hotel while he was in between worlds, psychically speaking. Maybe the hotel isn't a place for the dead of body but the death of the psyche — either in the mind of the living or dead. Perhaps the hotel symbolizes a space where the synergy takes place.

You mean Michael, right?

I loved PD - pretentious dialogue and all :-)

for whatever reason, that seems to make the most sense as far as applying logic to how the hosts can physically be "in the lab" and, moments later, back on the "set." But in Maeve's flashback to her botched bullet removal surgery one of the lab techs said "we need her on the next shuttle back," indicating she needed…

yes, and Abernathy told Ford "You are in a prison of your own sins."

I read that the producers said "no" on Roman/Medi worlds. Also, I think Ford was being lightly sarcastic with regard to the "neighbors complaining" inquiry to Theresa.

you mean dolores, right?

I don't remember anyone referring to that particular line being part of older dialogue. I thought they were referring to Peter Abernathy's use of Shakespeare when threatening Ford.

I felt it was going down a potentially odd path (but only, for a fleeting moment, an inappropriate one —we are indundated with news stories about this type of thing so it's a challenge not to jump to an erroneous conclusion as a knee jerk reaction), however, at the end of that scene he sent the boy away with, more or…

but it doesn't cause locker room floor's or astroturf to feel discomfort, as was observed in Maeze by one of the female scientists.

Symbolic origins —an astute analysis, Alison, and one I'd like to remember. In E1, one of the most vicious hosts —Hector's female sidekick - was wearing something that looked like a straw hat - neither black or white. And if I remember correctly the guy in the bar that arbitrarily shot the hell out of Teddy before…

If he is, indeed, a demon.

This show is SO, delightfully different from WD (of which I remain a fan). The mid-season pacing is slow but steady. Can't wait to see where it goes before the season finale!

didn't she hang herself?

It's set to "private."