Noel Wells was revelatory on Master of None. Loved her so much there.

Which is the point, right? He didn't realize what Owen had meant when he said it, when he killed him. He's in the exact same situation Owen was in, at the mercy of a fellow operative.

I liked that Bourne brought back "Look at what they make you give."

Yes! Yes! Exactly. Watched the original trilogy recently, and that really comes through. In very little time, it's established that she's the exact sort of person who would actually go along with this. It's excellent, and the main reason the first movie works. That and Bourne actually acting like a reasonable, normal…

Well, first I disagree with the premise entirely, as plenty of comic actors have plenty of comedic range. Second, the main point of my post was that we're getting yet another show based on McBride's one persona, which is very much played out. Why? Why do we need more of the same?

It still is!

I was in the same situation. I also think the moment where April just hugs her brother instead of trying to talk to him is one of the most heartfelt, earned moments like it in movies.

Oh, so Danny McBride is playing the same character again, that's a shock.

It actually surprised me by omission in a few areas, which was nice. I liked it a lot, having gone into it cold. And the more predictable beats were still done well.

It's better than the premise.

Wes Anderson used all three aspects to delineate the eras of Grand Budapest Hotel, correct?

That's amazing.

People messing with his work, just what Bill Watterson always wanted.

I chuckled at Adrian Grenier playing a rookie agent. He's 40! (Or will be in like two weeks.)

Moonrise Kingdom was also 2012, and I thought he was excellent in that.

Is this some place where talking during the movie is allowed/accepted/encouraged?

Obviously whether that's worth Rickon being killed off, after having been absent forever, is debatable.

Heat of battle rage moment doesn't preclude evolution of future respect for Sansa's analysis.

But Jon was. Jon knows Sansa was right. Perhaps giving it too much credit, but I don't think it's unfair at all to suggest that the scene where Sansa specifically predicts Rickon's death to Jon, followed by that unfolding, will have an effect on the level of respect Jon gives her input going forward.

Rickon's death is a character moment for Sansa; it demonstrates to Jon (and herself) that she indeed did know Ramsay, and had the ability to analyze the situation and make a sound prediction.