While I think we have come a long way forward since early Kotor light side dark side morality, the issue I have with a lot of modern day versions of this morality is that instead of Save the Baby or Eat the Baby (For very blatant good bad choices), it has become Save the Baby..Ooopsy that baby was a racist or Eat the…

Even when I did Renegade playthroughs, I would avoid things like “bigoted dialogue options” and I would never punch the journalist.

Murky moral choices are fine... I just hate it when games refuse to give you any clear moral choices.

One major problem with a lot of morality systems is putting a meter on it.  They’re not really choices if you’re being rewarded for pushing it all the way to one side or the other.

Precautions seem extreme until there is an issue. In this case they are likely remembering when someone with H1N1 went to PAX a decade ago and got a lot of attendees sick.

God damn... talk about a gut punch. She epitomized the wonder that was/is a character actor: They might not get top billing but, more often than not, they’re the character you remember most from a show/movie. She was one of those inimitable actors who owned every scene she was in, who made you sit up an pay attention…

Pulling the curtain back on the process a little bit: Production companies and or distribution companies regularly hire VFX studios to tackle their projects, often using multiple studios (spreading the work to each studio, distributing each a certain number of shots). The film’s VFX Supervisor will work with VFX…

Busch Kierkegaardens

I think that’s what a lot of people want. If that doesn’t float your boat though there’s no reason you couldn’t abandon them and do whatever the fork you wanted.

I like to think that the ending was the energy or “wave” of Eleanor, going back into the ocean, becoming that voice in someone’s head telling them to do the right thing. It felt like a spark of her landed on Michael’s neighbor and that was what made him un-chuck the letter and deliver it to its intended recipient. And…

I cried or laugh-cried the whole forking episode. Probably the hardest when Tahani finally gets validation from her parents.

So the last time I heard Spiegel im Spiegel (the sad piano piece that plays during Chidi’s goodbye) was at the end of the HBO version of Wit with Emma Thompson and THAT movie broke me so yeah that started up here and I’m like OH MOTHERFU-

That moment when Janet realized that it was Jason’s time. That’s what got me.

My favorite arc only lasted two/three episodes. I liked Season 1, but I didn’t love it. And when they reset everyone’s memories, I thought I was going to get bored of Season 2 having to redo everything we saw the characters go through in Season 1. But it led to my favorite arc which was Michael’s constant resets to…

The scene is phenomenal but that video ruined it with the constant zooming and distracting captions. Like, hey internet people, don’t mess with perfection, you can’t possibly improve it.

Ditto. The beginning of season two when he’s desperately resetting things again and again only to have Eleanor (or Jason, JASON? yeah, this one hurts) figure it out is some of the hardest I’ve ever laughed at my TV.

I love...pretty much everything about The Good Place, but the first thing that comes to mind for me as far as favorite arc is Michael’s journey throughout season 2. The ways in which his exposure to the humans makes him better, how they keep trying to help him be better even when he semi-actively resists it - it’s so…

I use to be under the false illusion that I would have my physical copies of my media for the rest of my life, and my digital library was ephemeral and would likely disappear on me eventually.

Nah, I don’t think that’s the message.

Of course a Marc Evan Jackson demon would sign off on an afterlife where he could improv for eternity.