jallured1
jallured1
jallured1

Disney keeps hiring great talent, developing shows for years and then quietly shelving projects. No one can tell me Simien didn’t turn in great work. I just cannot imagine the Glovers will be able to thread the needle. Donald Glover has a great reputation for creative purity; I can’t see his work making it through the

Netflix seems to understand that this is what people want. Easy-viewing shows that have TONS of episodes. It’s a shame they simply refuse to make new shows like this in the steaming world.

When delivery featured nothing more than a driver’s tip, it was incredibly attractive. Any platform that adds on fees basically doubles the cost of any order, making it much more attractive to go into a shop. Until they get drone delivery, a lot of places are likely to see delivery stats continuously drop. Grocery

Interesting. It just truly never broke through my awareness like other toys (Care Bears, Rainbow Brite, etc.). 

The chasm in awareness between Barbie and Polly Pocket is immense. PP was a toy from my era of childhood and I literally have 0 awareness of it. I didn’t play with Barbies as a kid but you better believe I knew what Barbie was.

I’m currently taking pitches on the googly-eye-verse.

This is very goofy. Are there incidences of unexplained phenomena? Yes. Is there proof of “hidden” alien craft or creatures? Uh, no. Literally none. Nothing to that effect has been unveiled in any hearing to date.

No argument here!

Yeah, opening credits are so much more creative these days. My favorite is the original Funny Games titles with the abrupt break in of Naked City’s Bonehead. 

You’re leading me down the rabbit hole. So, yes, closing credits are getting longer in part because of post-credit scenes, where applicable, but also because more people are required to make a film today. Films in the 80s and 90s had the same basic scrolling credits across the board and lasted at least 4-5 min. Can’t

Runtimes account for credits. And it’s worth noting opening credits are a dying breed. Compare an 80s opening credit scene to anything made in the last 10, 15 years. So while closing credits and post credit scenes add to the run time (but only so much) today’s films have virtually no opening credits — they just leap

The scale of Oppenheimer can easily account for its running time but a Disney ride film is a whole different animal, including the audience mindset. I think Nolan’s film audience demands an epic, while the Haunted Mansion audience would be more than happy with a breezy run time. 

Stand By Me ran 1:30, pretty in pink 1:36, sixteen candles 1:33, breakfast club 1:37, Nightmare on Elm Street 1:31, heathers 1:43, goonies 1:54...

I’m so confused about runtimes. Budgets and profitability are such a sticking point in the current strike — so why do studios turn out 2+ hour kids/family movies? A tight 90 min has got to be cheaper to produce (maybe not by 25% but certainly by 10-15%); plus, people want shorter films. Everyone complains about film

Amazon runs a disc on demand service for a limited library. Not sure about the economics of this, but a true breakthrough could include a cross-platform service. I think the increasingly fleeting nature of content could actually be alleviated by such a system (and “reruns” on free ad-supported streaming platforms).

God bless you

I the deal ends up really and truly suspended, that might be best for HBO. These are expensive shows and it seems the culture has moved on. Not that GOT spinoffs aren’t likely to be popular, but it seems that the cost/benefit (given the high cost) doesn’t make much sense. Especially since years go by between projects

Better not be. At least until they commit to East Bound and Down season 5

He does creepy hilarious work right now in I’m a Virgo (Boots Riley’s new show). 

I’m deeply concerned that BBBB will be stuck in development hell forever!