Miguel Ferrer, too.

"The Cook, the Thief, His Wife and Her Lover" sounds like a charming time!

Not to mention the implicitly approving depiction of British colonialism.

Keaton may have tried a bit hard, but she came closest to the Lynchian feel in that muddy mid-season section.

Wow, a guitar solo in a song by The National. Glad to see they're still breaking new ground. Also, this song is one of the more energetic tunes they've recorded.

They're both great records.

"Frilly," suprisingly.

Marty himself would say he's made the same movie every time out. The same themes crop up again and again.

I guess Silver Linings is the standout recently.

Trollol

Was too much of an Oscar contender to be "cult."

Most people liked that movie. It's more or less regarded as a modern classic.

That was what I was thinking.

The idea that Gene, who is constantly doing musical things, is the performer who can't follow the beat is inspired. Another reminder that he doesn't really understand the mechanics of music that well.

I read that entire section as Tina expressing her fear of pregnancy.

They really don't sound like either of those bands…

I'm excited about this as a Nolan fan. It seems to fit his major thematic concern - psychological conflicts of characters being played out physically in complex, systematized environments.

Thom Yorke is down to earth and relatable?

Yea. The R.E.M. reissues that include live concerts from those periods are pretty great…

I knew she had the character on lock when the smile appeared on her face.