He’s Conservative, actually. At least, his claimed practices are compatible with Conservative Judaism, and he got married with a Conservative rabbi.

It was a pretty big hit at the time - the fourth-highest grossing film of 1969, back when people still went to the movies.

I’ve never watched the 100, but the main character is called “Clarke” and it ends with humanity ascending to join an alien overmind? Isn’t that a bit on the nose?

Makes sense. You need some Elvis in you to be able keep your snake blood down, and Michael J. Fox, well, we all know what HE is.

aa

Fuck it - as a verb, too. “Wow” should be strictly an interjection.

Tarantino has never been “in touch”, and that’s why people love his movies. His worlds, his characters, his dialog has never had more than a tenuous connection to the real world, instead corresponding with a place that exists solely inside his own head. That’s what’s so great about them.

Don’t try to figure out the timelines in ESB. If you do, you’ll realize that Luke’s entire Jedi training lasted the equivalent of a single long weekend, at most.

Much as I loathe the guy, Mel Gibson was never beefy, and nothing is more representative of 80s action films than the Lethal Weapon and Mad Max franchises.

I find it hard to believe sometimes that both shows were made by the same person, considering their diametrically opposite philosophies.

Don’t forget Liam Mcintyre as the Weather Wizard on Flash.

Yet somehow, less pervy.

I mean, that’s obviously Miley Cyrus.

What bothers me is that Hollywood seems to have a rule that good-looking Jewish actors can’t play Jewish characters, and good-looking Jewish characters can’t be played by Jews. 

The one time physics works in Star Wars, and it kills that poor kid.

More of a Gnostic demiurge, really.

The Apple of Udûn. 

I think they should lean in on the pulp fantasy aspects of the character - give us dinosaurs, lost Atlantean cities, ant-men and everything. A “realistic” version of the character makes no sense and is offensive to just about everyone, so just make him a superhero.

I’m tempted to watch this show just to see its depiction of Haifa - my hometown appears so rarely in non-Israeli films, that I’m fascinated to see an outsider’s take on it.

You know what? I hope we never see those worlds and those characters again, other than Cassian and Skellen Skarsgard. Not because they I didn’t like them - I did, a lot - but because the first three episodes form a perfect standalone origin story. If the series has the cojones for it, it should just move forward and…