Are they going to include the actual scene where we learn why Boomerang hooks back up with the Squad? Because Digger just walking out on the team at the bar is probably one of the funniest character moments in the entire movie, and they completely undercut it by having him just walk back into frame with the team for…

Well, Matt Murdock has always been kind of a man-whore in the comics, so hooking him up with everybody is just keeping him in character. As for Luke… I'm not too sure about how he's portrayed in the books (though I DO know he ends up married to Jessica Jones, with a baby daughter). But since the show was intentionally…

I did also want to point out that Scream itself also subverted the sex=death cliche. After all, Sidney loses her virginity at the end of the first movie, and she survives. Hell, she survives for three consecutive sequels!

Hmm. I'm legitimately interested in this, because it sounds like a pretty nice little horror flick… but I'm a little sad Scream Factory didn't manage to put together a Director's Cut for it.

So when exactly did Mr. Terrific and Artemis get their code names? Did that just happen between episodes? Because I felt like there was an important scene missing: specifically, the scene where everybody makes fun of Curtis for choosing the name "Mr. Terrific". (And at least one person should have suggested he just go…

Ya' know, it's been a good long while since Arrow shamelessly plundered Chris Nolan's Batman movies for inspiration, but that "Skyhook" escape with Diggle and Ollie couldn't have been more obviously ripped from The Dark Knight if Oliver were wearing a cape.

God, no. It's like they used a half-assed pre-vis reel for the last five minutes of the climax. A couple of shots look like in-game effects from Mortal Kombat III.

Well, after all this time, Mirror Master has finally arrived. And in the end, all I can say is… "meh?"

Actually, a totally black void makes perfect sense. After all, mirrors function by reflecting all visible light… so if you were to somehow end up on the other side of one, it would be completely devoid of light. ('Course, that wouldn't explain how we can still see Barry HIMSELF, but for a show with as tenuous a grasp…

No, I don't think this is a mid-episode swap situation— otherwise, her agenda would have changed halfway through the episode, and she would suddenly have become vitriolically anti-alien. I'm pretty sure she was an alien from the start.

Ya' know, the more I think about it, the more I realize that making President Marsdin into an alien was absolutely the worst choice the writers could have made.

The Kryptonian army is trapped in the Zone again, sure. But the random escapees from OTHER worlds, who were simply apprehended and incarcerated by Kryptonian authorities, would still be at large. And considering how many Roz escapees Kara fought last year who WEREN'T Kryptonian and had no affiliation with Astra or…

Well, Lord already kind of went through a redemption arc, played out at a break-neck pace. He went from killing people and creating an abused, manipulated Bizarro, to being unjustly imprisoned for a few episodes, to being let out and suddenly helping to fend off the Kryptonian invasion in the season finale.

Kara Zor-El: SPACE RACIST!

He handed it all over to Batman, whom we shall never, ever see on the show thanks to Warner Bros.'s miserly attitudes regarding their big guns appearing on television— so consider it gone forever.

It's probably a toss-up between A Nightmare on Elm Street and The Evil Dead for me… and Carpenter's Halloween comes in at a close third. I have a real soft spot for classic early seventies/eighties horror.

You know, it's funny: in the context of being an actual character in a scripted Ghostbusters movie, I HATED Holtzman. HATED her. She played like a cartoon character— completely disconnected from reality, too weird and too self-aware to make any kind of legitimate emotional connection to.

Yep!

It's kind of like casting Oscar Isaac as Apocalypse. Sure, it's great that he's IN the movie, but… why?

Wow… The way Whedon describes Wonder Woman in his draft is almost spot-on what they did in the movie. (I caught a preview screening a couple of weeks back, so don't think I'm talking outta my ass here.)