ishamael44
Ishamael
ishamael44

All they need is to put any word in front of “Ghidorah” and boom, new major antagonist monster.

Off the top of my head:
Hedorah, Gigan, Megalon, Biollante, SpaceGodzilla, Destoroyah, Megaguirus, Mecha King Ghidorah, Jet Jaguar, Orga, standalone Mothra film, standalone Rodan film .There are SO many kaiju you could use that could be really cool and cinematic.

Gundam was the first big franchise that never had a foothold in the states but blew up thanks to Toonami. DBZ and Sailor Moon had been syndicated on various local networks, but that Peter Cullen narrated promo for Gundam Wing single-handedly spawned a brand new fanbase I can confidently say propelled Sunrise to new

And that’s a bit of a shame; Star Wars doesn’t do bummer endings all that often. Other than Revenge, the closest the franchise has gotten in this regard has been the endings to Clone Wars and Rogue One

And New Mutants opened in the ones that were.

HBO Max didn’t even exist yet in March 2020! It wouldn’t be launched until May 2020 in America. It did air on HBO several months later. The New Mutants made less than $50 million at the box office, but it was released right in the height of the first wave of the pandemic.

Yeah none of that is right

The New Mutants finally came out on March 12, 2020, solely on HBO Max

Was about to say the same thing but you said it more eloquently/less rudely. Cause sweet jesus is the braindead whataboutism responses getting old fast. 

That’s the public’s problem though. The Academy Awards are industry awards Hollywood gives itself. The public is free to watch the People’s Choice Awards, the MTV Movie Awards, the Nickelodeon Awards, etc.

It’s like a film professor of mine said back in the ‘90s: Hollywood has always had an insecurity problem. Plenty of actors, directors, and producers want to make “quality” films, but they know that the vast majority of the general public would just as soon see action vehicles and raunchy comedies. Prestige movies were

There’s a compulsion in some circles to insist that the Best Picture Oscar should go to the movie that leaves the longest-lasting cultural impact - never mind that that’s pretty hard to determine within a year of a movie’s release (I mean, who even remembers Avatar?). It just so happens that the movies that leave the

And leaving out Editing is nuts, too. That’s where the movie actually gets made.

Annie Hall didn’t have sequels so it isn’t as good as Star Wars?

In a lot of ways, it’s both easier and harder - the increased freedom means you can get yourself into bad situations by pushing at the edges, but it also means you generally have ways to get stronger to alleviate the harder fights. If I found a particular boss especially brutal, is that because it’s actually hard, or

From what I played myself it’s a lot more forgiving. It gives you a lot of tools to mitigate the danger and give yourself space to breathe, plus you can avoid a lot of combat and create a wide variety of builds.

I really don’t understand how a species as advanced as 10C would happily send a mining device into a galaxy and allow it to destroy vast amounts of space in order to mine fuel for powering their advanced civilisation.

They didn’t detect Omega, just the substance that can create it.

How exactly was it dumb and pointless? I’ve always loved The Omega Directive.

No, the concept originated in Voyager, but TNG did establish that subspace damage could make warp travel impossible.