That’s what I thought too, but wouldn’t people be a little taken aback by the personality change which is pretty much night and day. It’s less Eliot and evil Eliot, and more like Woody Allen turning in to Jack Nicholson.

Well, it’s supposed to be just “The Major,” now. I’m guessing they just want to distance themselves from controversy without making any real plot changes, which begs the story question: why is this Japanese person choosing to wear a white avatar, presumably speaking English with no accent? If it’s not because of some…

“I think we’ve done the manga comic great honor. As I said, the fans will be very happy, because there’s a great respect that’s been paid to the manga. We’ve been very, very careful.”

Does anyone know if there’s an essential episodes list - I’m talking 2 or 3 episodes per season average?

That’s the most convincing answer so far, although I still highly doubt that the writers intended that. If they did, it was clumsily handled. This explanation would/will still require an in-depth reckoning with Sansa’s character in the future. Anyway, the technical spectacle of the episode deserves all the kudos in…

I don’t think he’d sacrifice Rickon or all of those men for that reason, but even if that were true, how does that affect whether or not Sansa would tell him? Did she play it out in her mind and think that, if Jon knew Littlefinger’s army is on its way that he would/could somehow stop them from coming?

If that’s the case, that would be awesome IMO, but the show would have to confirm it, plot-wise, in the finale. Otherwise, nope - it’s still a plot hole.

But the original question remains, and no answer has been remotely convincing: why would Sansa not tell Jon. The ONLY convincing answer is one that severely changes Sansa’s character: 1 - she wanted the glory, perhaps to solidify her claim to the Stark throne; 2 - she wanted the “win” over Ramsey, and even then, it…

I just do not get him. Ken Jeong is less annoying and more talented than this guy.

He creates 11 new universes, one in which each character dies, and the rest of the series toggles between all 11 universes so we can compare and contrast all the fascinating divergences.

Marvel recast an Asian character with Tilda Swanson for reasons.

On a related note, the anime has finally gone back to kicking ass now that Kaguya’s arrived.

The reason is because anime has a lot of cool, imaginative, interesting, fascinating, and wondrous ideas, and american producers see an easy payday (script basically finished, fan approval already “assured”) plus a bonus of getting to attach their names to said ideas knowing that the majority of the audience will…

The thing about this show is it has so much potential - the acting, the effects, the music. It’s the writing that is consistently terrible, despite the revolving door of showrunners, (and I assume a fresh batch of writers every season). There has to be some constant that is keeping the show at it’s current state of…

This looks like utter shit and it makes me sooo happy.

I’ll be sure for the both of us, it definitely deserves it.

I’m surprised at how much I’m liking these trailers. It’s not even nostalgia, it’s lik I’m actually interested in how the story moved forward.

I genuinely think this is a magnanimous turn for him, which makes me forgive him a bit for his douchey behavior in the past, and perhaps I’ll be more open to his future work. I think most could tell, from interviews, and even the editing of the films, that he was in a bit over his head with both Avengers: got lucky…

“Whedon blames himself”

“But it is an American business financed by Americans - it is to be expected”