This movie is exactly what I’ve always disliked about this franchise, turned up to 11. They can do whatever the hell they want with a story, so long as they have a lot of scenes where characters run away from dinosaurs. Previously, the plots were at least tangentially related to dinosaurs, and the implications of…

• The daughter/clone and beta were just rabbits for the main characters to chase to get them to the dinosaur island and meet up with the OG cast.

Why can’t they just do, like, a cowboy movie with these? “The dinosaurs are loose, we gotta round them up across the American West before X deadline otherwise the government is authorizing lethal force against them, our buddy raptor Blue is going to help us, and some of our obstacles are people who have taken them in…

Don’t worry. These questions will be answered in the upcoming Jurassic Universe trilogy, directed by Uwe Boll.

That was shot so wonderfully. You’d see them for a second or two, but the focus would shift back to Marc/Steven and Layla fighting Harrow. And, I may not be Egyptian, but that little girl asking Layla if she was an Egyptian superhero and Layla confirming it was so beautiful.

Total agreement. I also really enjoyed the greater focus on the characters, and the way that the show made their development the main plot. Kaiju-esque fights between gods is a backdrop to Marc and Steven coming to terms with themselves and each other, and that’s kind of classic Marvel comics, when I think about it.

The explanation might not make real world sense, as most people have a very utilitarian view of killing baby Hitler, but it’s explained quite clearly in the dialogue. Ammit literally believes in justice attained by killing those who will commit crimes, and Khonshu believes in justice attained by killing those who have…

Can we also mention how good Khonshu looks in a business suit? That was great.

Moon Knight was a quirky show. Imperfect. Often reminded me of ‘90s and early ‘00s adaptations.

I really enjoyed this series, mostly because it was a completely new bunch of characters who never once mentioned the Avengers (at least, I’m pretty sure they didn’t). Plus, turns out Oscar Isaac talking to himself and swapping between Chicago (Brooklyn?) and Dick Van Dyke Cockney accents is really fun. 

Auto World could have offered free hookers and blow when it opened its doors and it still would have failed. Flint was already an sh!thole of epic proportion by the time this travesty went from blueprints to bricks & mortar. The only picturesque view of Flint was in your rearview mirror.

Theme parks designed by government committee? What could go wrong?

It was swapped for an LS.

I saw this movie right after Star Wars in 1979, the end scene with the robot and the water can make me ugly cry in a way few movies I’ve ever been able to make me do since.

Not only are the robots people in suits, they're people with no legs walking on their hands... In suits.

You know, for me it wasn’t that {Spoiler alert} “Soylent Green is PEEEPPPPOOOOLLLL!!!!!”...it was the scene of Eddie G going for euthanasia, and the film of unspoiled nature with all that wonderful classical music. As ham-handed as Charlton Heston was, that scene and that movie made me cry.

Personally, I think it is an incredible film. I know it’s not an “entertaining”; but why is that an issue? Many good sci-films don’t have good endings.

“Maybe wait until I wake up before you start consummating the marriage over my unconscious body?”

Baby I love you, would you like to become a uniform shapeless fluid with me and exist forever in apathy?