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That’s simply your opinion and considering how much weight was given to Trump’s ability to “build coalitions” or even maintain a minimum level of civil discourse to those within his own party, I’d say it’s pretty much irrelevant. Certainly not even in the top 20 in a list of voter concerns.

There’s a reason he got millions of votes less than Hillary in the primary

Except that a poll taken two days before the election had Sanders beating Trump by 12 points:

Are you not followed anywhere? It’s sucks. I even had authors recommend a post several times and I was thinking “if you’re going to take the time to do that why not just ungrey me?”

maybe they’re implementing something new with the follow system, and approving people by default, rather than the reverse?

Judging from the number of fedora-wearing Trump supporters, I’d say there’s a high likelihood this is correct.

I always thought Sweet Home Alabama had racist undertones. The dig at Neil Young for “Southern Man,” the line “in Birmingham they love the gov’nor” (a reference to Alabama governor George Wallace, who supported segregation), and having a clear conscience over Watergate (Nixon being famous for the “Southern Strategy”)

Yeah, I’m not really that big of a fan. I think the concept was brilliant, but I don’t care much for Isayama’s artwork. But, having just recently binge-read around 20 chapters, I can tell you that your criticisms are completely unfounded. The story progression and pacing are fine.

If you are caught up to Chapter 82 and found it “boring,” I suggest you find a new form of media for your entertainment needs, manga isn’t your thing.

You must have read that Vox article. I mostly disagree with the premise, sometimes it’s not being pretentious or “smug,” Republicans really are just that stupid.

I haven’t read that, only that Mitsuhisa Ishikawa from Production I.G. is involved as a producer. Regardless, I don’t see how that proves that they intend to be faithful to the source material. There are reports that they are changing the setting and significantly changing the story. The screenwriter has never even

He doesn’t give many interviews. I think the live action film is supposed to be based on the original Mamoru Oshii animated film, also, so I don’t know what if any involvement he would have in the project, or if he even has rights to the work, since it was previously licensed.

That’s what a lot of people don’t seem to be getting. It’s not just that the casting is white-washing, it’s the fact that it is indicative of a complete lack of understanding and lack of respect for the source material. I get the feeling that the producers of this film had probably never even heard of the anime before

This interview was from the some executive at the publishing company the put out the original manga. He is in no way one or the creators of the original story, that would be Masamune Shirow, the mangaka.

Yeah, I agree with that, I was mainly referring to the identity. Even though, time travel aside, the show was pretty grounded in realism, they made the killer into too much of a clichéd anime villain.

I agree on the motivations of the villain, but don’t really have an issue with the reveal. I think that the show was primarily a psychological thriller, not a mystery, so they didn’t really try to hide it - the identity of the killer was pretty clear from around episode 8. I think people get too wrapped up in looking

Most of that was excerpt from Obama’s speeches, precisely to disprove your point of “younglings getting caught up in the message.” I’m not a youngling, by the way.

I can’t help but feel like you’re re-writing history a bit there. But maybe I’m just not as smart as you to see through the populist progressive message and realize that Obama was truly a centrist.

How?