Add “proud financial supporter of the IDF” to that as well.

It’s totally weird, I just went on a WKUK spree a few days ago as well.

Not from a baby’s perspective!

Most of them don’t look much different from last season, excluding Caleb McLaughlin- he looks like a totally different person.

Fair, though I’d argue going after anything Steven Seagal is a special avenue more vital than your average review, what with the fact that Seagal uses his films as excuses to assault women, and that man probably doesn’t deserve the money he also uses to traffic women; he does deserve to be blasted every moment of his…

Her giddiness is infectious, I absolutely need that enthusianspo today.

Imagine having millions of dollars and being this excited for something that most people have had for years and years.

The fact that Dowd was not subbed out for Alex McLevy is a-PPALLING. I get this is Dowd’s podcast as much as Rife’s, but the Home Video Hell guy is far and away more equipped to elucidate on negative reviews than the “I’m only handy at reviewing festival films you probably will never watch”.

Coulter looks like she has the face and soul of a sallowed wax figurine at Louis Tussaud’s. Cobie Smulders looks fantastic every minute. It’ll be an interesting transformation.

Y’know, I think they could have gotten away with only one lavalier- the Dan on the left didn’t really say much that justifies a mic.

I found that with a lot of comedy- The Daily Show with John Stewart didn’t quite hit as hard 15 years in, after a couple seasons of Real Time with Bill Maher I realized I have a modicum more political awareness than Maher (and a shitfuck more compassion for Muslim folk), and I really can’t stand the saccharine…

I think the Monty Python troupe had said something of the sort on why they can’t do satire forever- once you become reasonably successful, you become what was the brunt of the joke the whole time.

I do think Tarantino is talented, but I’m totally with you. Tarantino has great films and his place in history, but the sheer volume from the Coen Brothers, as well as the how memorable nearly every one is, they’re easy finalists for the best filmmakers of their generation. They made The Hudsucker Proxy, christdammit!

Also maybe Celebrimbor, who’s familiar to the video game nerds that played Shadow of Mordor.

He started out as a “I’m a centrist doing gonzo journalism coverage of Occupy Wall Street”, but jumped on the alt-right IDW grift, and has traded the “both sides”-ism for backing rigged election conspiracies and reporting on the “eViLs of BLM and Antifa”. He’s a sad, amoral grifter.

It unfortunately doesn’t, that is a pretty fun theory.

It’s such a weird swerve, and it only makes me feel more sad for Clyne, she is truly ill.

FWIW, I think it’s greatly respectable of you to feel conscious enough to justify withdrawing from welfare. I think it’s a good indicator that this social norm of treating welfare as if it’s meritocratic should go away- you are doing what’s best for your health, the system should be there for you and any person that…

Yeah, Tolkein’s works are the only ones that really have that deference- you don’t get that with Eddings, Zimmer Bradley, or Brooks. It’s gotta be that combination of the community involved with the fandom paired with the age and impact of TLOTR (plus Zimmer Bradley was a horrific fucking monster in her personal life).

I never understand this sentiment- do you genuinely have curiosity, or need affirmation that there’s others that, like you, don’t want it? “Is this something we want?” should just always be answered with “sure, because it always has a chance to be good.”