... Does Barsanti not understand metaphors? The film was literally all about knives. The chair; metaphorically, how everybody was looking for their cut of the estate; the climax, with the prop knife; Harlan’s death. The film is pretty obvious with how knives connect to Harlan, his estate, and how an object (like a…

It’s more that I abhor Millar’s writing style. He has interesting story arcs, for the most part, and I can enjoy his characters and settings conceptually. But the dialogue in Wanted or his runs in the 1610 universe is just the worst. He’s a lot like Garth Ennis in that way- excluding Preacher, Ennis is insufferable in…

This looks fucking RAD.

It’s more difficult nowadays, just due to the fact that corporations will collectively spend exorbitant amounts of money to preserve marginal profit that would otherwise greatly help out the worker. Grassroot union campaigns are about convincing the worker that the pitch from the particular union would be effective in…

They absolutely did this shit- they did the conventionial tactic and hired a union-busting lawyer firm to figure out their gameplay; they even figured out the ways they can disrupt any chance of discussing union efforts amongst employees, like structuring workplace habits to reduce communication- they even had the…

My knowledge of John Mayer started and ended with John Mayer Trio’s album Try! and it’s a really weird read to catch up with the guy that John Mayer has since turned out to be- a totally gross weirdo.

The first one was a good-bad film, I don’t care what others say.

Fucking TERRIBLE. It’s the worst trade I’ve bought to date.

Yeah, you very well might be right about that- which is weird, I do like what I’ve read from Loeb (Batman: Hush in particular comes to mind).

Lol, well it certainly remains to be seen- I’ll definitely try reading Millar if there’s something recommended. My local library has great access to digital comics, so it’s not like I’ll risk money on it.

Oh, FUCK YES. I’d challenge that Wilmore is the best talent from the Daily Show Correspondents pool (at the very least post-Colbert leaving) and it’s criminal that he doesn’t have his series going into the sixth or seventh season now.

Not recognizing social cues isn’t the same as not caring when you do, or only seeing them in the context of how it affects you.

I ought to watch it again. I left the film back in my impressionable early 20s, when I didn’t understand the film went deeper than the Tyler Durden messaging, and I think it might be more interesting another time, now that I can more appreciate David Fincher’s skepticism towards the film’s internal propaganda that I…

Like I said before, I don’t imply that other people are required to enjoy entertainment to my criterion.

I think the more sickening aspect of the Nick Sandmann story was that we were seeing a bunch of children who were propagandized to in order to BE in the situation that we saw, and then they were in turn PIECES of propaganda for liberal and alt-right medias.

Enjoy them all you want, I think you’re allowed to enjoy any performer as it’s so art.

That clip is ostensibly the only good part of ALL OF REAL TIME

In light of being in the middle of such a sickening incident, I think Lambert deserves recognition for being fucking hilarious and making the most of it.

I only recently realized he's one of the Project Mayhem guys in Fight Club! Very fun that he has a shirt harkening back to that nearly quarter-cenury-old film.

You are unequivocally right to feel that way, this is yet again more irredeemable bullshit from Musk, and I think his sociopathy means he really doesn’t mind using it as a bit of damage control.