Yeah, and even with Brosnan, there were a few very implicit acknowledgements.
Yeah, and even with Brosnan, there were a few very implicit acknowledgements.
Sadly, he did not win that Oscar. Damn you, Theory of Everything!
I definitely wouldn't say he phones it in for Pixels. I wouldn't necessarily call it a good performance, but he's definitely committing to it.
Heroes
I'm so damn excited!
No, no. That was with Elliott Gould (and also George Clooney).
Just be wary when Seydoux offers to take you for that operation in the city.
Charles Durning, I believe.
The Fugitive for me. Every time I see Tommy Lee Jones and his crew playing off of each other, I know I'm in for a treat.
I like it a lot. Very charming. And probably the best Dylan McDermott has ever been.
Their critical reception has been pretty positive too, so I'm not sure what the big issue is there.
"Oh my God, get out of the way, Rakghouls! You're just freaking me out and I don't like it!"
It's so off-putting after a while. You just have this inherent tension when approaching the main objective on a planet.
Pretty much anything involving the Mako in Mass Effect (aside from the final push through the relay back to the Citadel, I guess, if only because it's a straight shot and ends with the Mako on fire).
Yeah, SludgeVohaul…it's the AV Club. You're going to have to get used to that.
Didn't get nearly as much studying done this weekend as I wanted to, but I did basically binge through the first third of Crazy Ex-Girlfriend after the itunes download.
Apparently, the "oh, shit" at seeing Doomsday was improvised.
She was pretty great in Barfly, and that Columbo appearance at least won her an Emmy, but yeah, it's definitely not too great a career trajectory on the whole.
A Serious Man actually came out during the Jeff Bridges/Crazy Heart year.
Probably still catching up with the last season of Downton Abbey.