I know it's not quite in the upper tier of acclaimed Marvel films for a lot of people, but I remember digging Captain America: The First Avenger quite a lot, so I was pretty hopeful with what they would do for the character afterwards.

Andrew Garfield was phenomenal in 99 Homes. Greatly look forward to him in Scorsese's Silence as well. It should be interesting to see what Mitchell has in store next.

Hopefully, there's at least one reprise of Blame It on the Bossa Nova.

They definitely came around to predicting Silence of the Lambs just before the Oscars were handed out, citing the precursors (like DGA) as a signal. Gene noted that Bugsy seemed to be well-liked, but was ultimately lacking in passionate support.

First Lady Ainsley Hayes, or is there someone else I'm forgetting?

What a great 30 minutes. It never has nearly the same level of energy as before or after he's there.

Dark Knight was one of my thoughts, too. It remains one of the most notable times where I could feel everyone in the theater reacting to it in the same way, just kind of stunned at what it was doing and where it was going.

I feel like it can be done when in the right hands. I mean, look at In the Loop.

I just love their thought process of the dog that follows a guy out the window in the finale.

I got the impression that Steve was just being self-deprecating and playing things up a little bit, there.

These guys are fantastic. Some of the funniest podcasters out there.

He also seems genuinely empathetic when comforting Wasicsko's wife in the final scene of the show, whereas Molina's character goes right back to making snide faces.

He was pretty decent in Show Me A Hero.

I got one for Christmas, and the Sue/Mike conversations rang so true.

God, I let out such a cheer when Matt McCoy showed back up onscreen. He had a surprisingly poignant moment in his counseling of Richard, too, but obviously nothing will stand out more than the thought of him attacking a police horse with a shovel.

What part of "immortal music legend" has 2016 not been able to understand?

From roughly 2006-2010, it felt like all I ever saw Michael Sheen do was switch between British historical figures (The Queen, Frost/Nixon, The Damned United) and vampires/crazy clowns (Twilight, Tron: Legacy, Underworld) and it made me chuckle to think of how vastly different the two modes tended to be.

Of all of the brilliant lines that Veep has delivered throughout the years, that one has to be in the all-time Top 5. Just a perfect delivery that leaves me grinning every time I just think of it.

At this point, I like Kristen Stewart in pretty much all of her non-blockbuster work. Clouds of Sils Maria, Still Alice, Adventureland, Speak, Panic Room. She's more than proven herself to be capable of stellar work.

With dramatic actor Michael McKean as a guest.