First two seasons were really good and I definitely appreciated their more weird and more experimental episodes. But so far this season, I’m getting some whiffs of “getting high on your own supply” from this show.

Love these TV ‘reviews’ which just consist of the writer recounting every single part of the plot, something superfluous for anyone who’s watched it and offputting for someone who hasn’t, without going into why anything works or doesn’t.

Not sure how much patience I’m going to have for “Nothing makes sense, but hey, that’s Atlanta!” reactions all season. That seems like a cop-out from holding the show to any kind of narrative standard.

Wouldn’t The Twelve be Die Zwölf?

I liked young Konstantin imitating his real-life dad’s distinctive laugh

I guess what I’m wary of is the season getting reviewed with the presupposition that it is, in fact, some of the best television humans are capable of, and will be reviewed that way almost regardless of what it does. Maybe that won’t be the case.

Pairing her with Stanfield again is a tremendous call. 

I like the show overall, and I thought both episodes were decent, but I hope we can skip past the LOUIE phase of “every single choice the show makes is the right one because the show made it, and anyone who finds fault with it is part of the problem.”

I haven't seen episode 2 yet, but episode 1 made me want to throw my shoes at the tv. 

Zazie is the best part of this show. magnetic performer, I’m all for her becoming the lead of this show

I only watched ep 1, but it felt so on the nose. I really enjoyed S1-2, but it’s been 4 years, so I don’t really know how to judge this.
It’s entirely possible I enjoy the rest of the season though.

i loved the carolyn and villanelle scenes. i loved their dynamic and i glad we got to see them hang out.

I can’t think of any reason for Carolyn to visit young Villanelle in the orphanage unless she was working for The Twelve & grooming her, maybe unknowingly? I am quite confused about that

“Here to explain what blood is, and why you need to test it, is Khloe Kardashian in a hot tub.”

Hmm, The rest of the internet really loved this episode. This is the first time Im getting the vibe that what you wanted the show to be is not what the show is. For example, the character introduced at the end is there because Ian is gone. Elizabeth is becoming less of an interior character because that is what…

A better episode than the last two, but it’s still rough around the edges. Elliot, who we just met as a nervous kid trying to run his family’s funeral home, is actually a cartoonishly over the top abusive brother! The show all but justifies Pam’s murder by making her sympathetic, and it’s trite af.

I may come back to this show, but I quickly got tired of thinking I was learning something interesting or core to Villanelle’s character, only for her to go “haha or *am* I?” I got tired of parsing through what was true or not, and since I didn’t have *anything to latch on to with her, I lost interest in the show.…

I’m glad they moved on with the Villanelle plotline, the first two episodes her parts were pretty dire. Eve is the only one whose plotlines have remained consistently interesting.

It drives me absolutely bonkers that this series is billed as a tale about female friendship. Yes, there is a friendship at the heart of the story but this is a book about political economy, the intersection of class and gender, the role of violence in resisting violent oppression, communitarianism in the face of…

I wonder if Philip Seymour Hoffman and Catherine Keener will ever get to play a happily married couple.
Also, no way they create Imogen Poots. That is some messed-up movie genetics.