His line, "well, we got an hour to kill," was the clincher.

Or Sybil.

They (still) shoot horses, don't they?

Beatifying frumps is the next cause célèbre for the perpetually envious.

Not Gonadbusters?

Just think: Barb mighta stopped the "war" in Syria.

"you're" must be one of those subreddit thingies the kool kids keep talking about.

Ya, Making Love to a Really Bad Script with No Protection. Still, Ontkean and Hamlin were in very, very fine form, and taken as mere middlebrow melodrama I think it works just fine.

That's funny… I love that heraldic statement of the Rambo theme when he plows through the checkpoint; it's a crescendo, a culminating statement of John's anti-hero/anti-system man of action credentials. Goldsmith could compose building action and release like no other — either before or after him. His artistry is…

tl;dr

Curious. I don't hear any cartoon glibness in Goldsmith's theme at all. Take the forlorn opening on solo horn for instance. What I do hear in the action sequences is muscular defiance.

Great action film propelled by one of Jerry Goldsmiths's best action scores.

DING! DONG! Avon calling.

In space everyone can hear you checking off the boxes.

This just in: Sony Distribution announces all future productions will only be comprised of all male casts.

There are small mercies.

Lesson that won't be learned: make (above the line) less costly movies.

"Women no longer funny…". HA! Took you long enough. :/

USUCK!

Resident Evil: Will That Be Cash or Cheque?