56, to be exact.

What Moffat script is that line from?

So I take it that a in the A- above doesn't stand for awful, then? Because it really should.

For pure, no-nonsense B movie entertainment J3 boasts the welcome return of Sam Neil and a lot more dumb dino fun while, on a technical level, Lost World showcases Spielberg's "old school" cinematic skill set hamstrung by an unconvincing lead to carry the film.

Star Wars: Ka-ching Up With the Joneses!

Matt Bomer deserves a Medal of Service, or something. How many unhappy marriages or unfortunate couplings does the guy forestall just by stripping to his drawers and smiling his pearly whites into the camera?

Howard Blake composed the orchestral score to Flash Gordon. Queen contributed songs and some thematic material Blake fleshed out.

Rod Serling presents a very special episode of Petticoat Junction.

Well, if ceaseless arpeggios cascading over cheesy minor mode pedal points is your bag, Hans has got you covered.

Ennio Morricone's Mission to Mars organ : https://www.youtube.com/wat…

Interstellar in 4 minutes: https://www.youtube.com/wat…

60 years ago this would probably have starred Jimmy Stewart.

I think I gotta sit down….

And to top off the exquisite absurdity of it all — like he had done the year before with the Death Star — John Williams scores John Cassavetes' explosive demise with cataclysmic gusto.

Let's all just forget that one ever happened, shall we?

Quatermass and the Pit (US title: Five Million Years to Earth) 1967 theatrical was filmed in colour. Quatermass and the Pit 1958 for BBC Television was filmed in B&W.

Stick a banana in it!

My Little American Horsy Story.

Nothing a bit of nip/tuck hasn't taken care of.

Will we see more of Denise Crosby, I wonder? Though brief, I was pleasantly surprised by the quality of her performance; so much so, I'd like to see more about the character's travails.