A friend of mine used to do extras work in the ‘90s, including on 90210, and said that Luke Perry was one of the nicest and funniest stars he ever stood in the background shots of. Luke would actually interact with the extras between takes and talk to people. RIP, man.

“If You’re Wondering...” really is an excellent song. Probably the best song they’ve done since their downward trend.

Sounds like he was trying to make a broader point about repression leading to abusive behavior rather than the specific cases but okay let's drag him

I will say... “If You’re Wondering If I Want You To (I Want You To)” is one of my favorite Weezer songs. Full stop. Top ten for me. And I like at least three other songs on that record. “Trippin’ Down the Freeway” is a hidden gem. On the whole, I think Make Believe is significantly worse. I don’t think there’s a song…

“This is veering dangerously close to ‘I don’t want white people on the stage’ to me.”

Real winner and should have been nominated:

All props to Marvel and James Gunn, but this article (and more like it) make it sound like they took a giant leap into the unknown by assembling this motley crew of unproven C tier characters into a mainstream movie. There was a danger and a risk, but Marvel knew it had the goods based largely on the success of comic…

Nail on the head here. If you want to say “Well he had these thoughts decades ago so obviously he’s a horrible racist!”, you’re not helping.  If you say “I’m triggered by this story!” then that’s your hangup, you have to work through your own feelings.  I honestly applaud the guy for making the statement he did in…

I never wanted this for you. I work my whole life - I don’t apologize - to take care of my family, and I refused to be a fool, dancing on the string held by all those bigshots. I don’t apologize - that’s my life - but I thought that, that when it was your time, that you would be the one to hold the string. Senator…

I honestly believe GLOW should have won best ensemble. Yes, Mrs. Maisel’s performances are excellent and praiseworthy, but the GLOW group really act as an ensemble. You could have a hundred people in the room and 80 of them don’t believe in you and the other 20 would be the GLOW team.

On my Earth, this was a hit akin to “Blackbird.” To this day, aspiring didgeridoo players learn to play this first. I was surprised that neither didgeridoos nor this song were as popular here.

Snyder is an amazing cinematographer.

Would also accept a cover of Stan Bush’s “The Touch”.

Hey, threatening to kill Hiram Lodge took a lot of effort okay. Give the man a break, he’s trying.

...and this week’s PEAK RIVERDALE goes to...

In the original draft, the threesomes are explained by Clint grumbling that it takes two Mexicans to do the job of one American.

There used to be tons of Adult Serpents who were shady and rode motorcycles but nowadays they seem fine with either living in a shantytown while letting their kids constantly endanger themselves or they all hauled ass over to Centerville to work for Scary Russian Beret lady and Cthulu.

The Serpents are basically this show’s equivalent to the Pirates Who Don’t Do Anything.

On top of all that, isn’t their new job rife with crime? They are the hired muscle for a teenager who owns and operates a bar that now serves alcohol. And specifically, their whole teen contingent accompanied Reggie (another teen) on a trip to smuggle beer across the border.

“Sounds more like they were tie-sexual, sir.”