My roommate in college straight lusted after The Mummy. If she could, she would have tacked pink Teen Beat style posters of him in our dorm.

I was felt so much pure joy when he went apeshit at the end of Rouge One that I also sort of felt the need to mentally check myself. Like, wait, is this OK? Should I talk to someone about this?

Eat the pennies, Quizboy.

It might not be darker than usual, but it might be too real for me. So far, I’m not getting any sense of catharsis from jokes directed at how fucked up everything is and how much everyone doesn’t care, and how any character who does care is an object of mockery and scorn. It’s not exactly that I am butt hurt or…

Part of me feels confused this is an actual movie film and not something I’d see on DisneyXD at 2 in the morning, but part of me is really glad we made it into the “fuck it” phase of super hero movies. Fuck it. Spider-Ham. I laughed.

Can I take this opportunity to complain about New Girl? I am casually watching reruns on Netflix, and I have never seen a show abuse the Will They or Won’t They plot this egregiously and so often. Literally every character on the show at one point likes some other character but cannot even discuss it with the other…

Please, please, please never stop voting. One vote doesn’t matter but many people deciding that their vote doesn’t matter is how we got here. No matter how this election turns out, let’s make sure it’s because it’s what we actually wanted as a nation and not just because we rolled over and let it happen.

I think what’s happening is that, Because of the Current Climate, his name came up and Ford was like, that motherfucker? I remember that motherfucker. Hell no. And it’s weird and emotionally charged because we have all said to ourselves at one point in our lives, “That motherfucker? Hell no.” But because Those…

But what do the woman have to gain by doing this? And if they are Democratic patsies, how were they chosen? And as far as “why haven’t we heard anything about this until now,” that is what the whole #MeToo thing is about. People deciding that the shit that we used to just accept as part of the landscape maybe…

I don’t disagree, but really, it is about applying for a job, and whether one is well-suited for a job is about abstract things like “character” and “fit” as much as experience, qualifications, etc. It reminds me of the recent police shooting in Dallas, where the cop shot an unarmed man in his own home because she…

We’re not talking about putting him away (or even fining him, or disbarring him), we’re talking about denying him the highest honor of his profession, a position he will have uncontested until he is dead.

I think in their own way, both are correct. But it is mighty brazen of Chase to be piping up about anything now. I find it hard to believe he doesn’t have a handful of #MeToos in his past. This is not the time to start new beef when you’ve got several juicy porterhouses ageing in the back.

I also remember loving that Crane was still around, back on his bullshit, when I first saw it. I think it was the first time a comic book movie franchise hinted at the idea that this was a world we were dropping in on, rather than one that only exists when we’re looking, which is something Marvel ultimately nails.

I have such a childishly optimistic view of Spike’s actions in the last episodes compared to most other people. (Spoiler!)

It does seem like a missed opportunity not to do the “slowed down sparse tinkling piano cover of a famous pop song” thing.

It’s tacky as fuck, but if she was anything other than thrilled and delighted, give her an Emmy. And award shows are about the only thing more boring than a baseball game, so I enjoyed them shaking it up.

I mean, it is a “misunderstanding” as she told it, but someone who is capable of “misunderstanding” to such a degree should not be a cop. Beto didn’t call for her head, he called for her job, and being fired does not require due process and review from a jury of your peers.

I really liked this one too. And I’m usually kind of a prude when it comes to “realistic” cartoon violence but the action beats with the teleporter were so creative and fun, I didn’t mind it at all. And Brock knifing Presto was sort of their version of Indy Shooting the Swordsmen. The only thing that bothered me was…

The FUN Song from Spongebob is probably the one I find myself singing out loud the most often. It speaks directly to both sides of my coin.

But only after she played the freakish party girl clown. She clearly thought she had to do that to have a chance of getting noticed at all. Maybe she was wrong. I’m more inclined to think she was right. But it’s all hypothetical now.