gkar2265
Commenticus
gkar2265

I liked them better than both 48 Hours, which are also solid movies.

No mention of the Soviet classic, Khraniteli?

A country artist knows that the MAGA crowd will lap up his work because he said the n-word. They probably won’t even listen to his music but they’ll still support him because he’s ‘sticking it to the woke crowd’.

So people are just going to bat for writers just - because writers? It may not be a great job (there are FAR more that are FAR worse), but if anyone is not doing a great job at it and they get called out - so be it. Heigl was absolutely right - the writing on the show was shit. She won an Emmy for acting - how many

All the political stuff about RFK aside...

I love that they ended it in Comic Sans!

Setting aside that no one could get through a bit without laughing...SERIOUSLY - did the writers for this show finally come back from the strike? Were they just letting interns dig up rejected bits and try to polish them off up to this point in the season? Why are we only now - near the end of the season - finally

I am surprised at the high rating. I mean, if we are grading on a curve for this season, sure, but I thought the sketches were a shade below B (I chuckled at the Jumnajii and secretary sketches, and was bemused by the rest). The writing is just awful this season - get someone new in there to spice things up.

So does that mean the merger with Paste wasn’t an April Fool’s gag? I mean, I always go there to read Dennis’s reviews of SNL bef0re coming here, but I looked at the date and thought “riiiight.”

First, Tom Kenny is an unappreciated genius. One interview will make you a fan. Second, the first few seasons were very astute with social commentary, like the one where Squidward and Spongebob strike and the buyout of the Krusty Krab by a TGIFridays knockoff (complete with Trump-like owner). And anyone who has ever

I like reading the lists that come out the day after ranking these commercials, and it is usually the case that there is some agreement among the lists, at least the top five, if not the order. six articles in and the rankings are all over the place. I have seen the BMW and the Hellman’s commercials ranked at the top,

I think the joke in the case of the pine lodge bit (and I had the same sense about this sketch) was the tree lighting at the end, which was the only time I laughed. Enough with the quirky lounge-lizard sketches already.

Does anyone know what he uses to build the actual track? It is a plastic, a hard foam, or wood? What does he use for the conduits for the cars? I have played around a bit with pre-fab plastic tracks, but always wondered what would go into making a custom one.

I still remember the disappointment I had when I watched “The Force Awakens” and realized they were doing yet another Death Star. OK, I was hoping for something along the lines of Heir to Empire, but just rehashing “blow up the big space station the size of a planet?” Ugh.

IDK - knowing how uniformly non-conformist film students are in a very narrow band of non-conformity - they would all line up for tickets.

II have never seen Waterloo, but Welles as Louis XVIII is genius casting!

And I thought Q only cribbed unironically from Frank Miller...

I always saw it as ironic that the Romans of that time loved a spectacle and would have loved that film. After all, spectacle is not history, and they loved the former more than the latter (I mean, they loved Virgil!).

Or Vikings. Or in togas. Whatever...

Its, you know, THE SAME TIME PERIOD AS YOUR NUMBER 12 FILM! Which you did not label medieval.