ghoastie
ghoastie
ghoastie

I thought it was hilarious that Nyx just randomly lucked into an amateuer psychotherapist-shaman as a partner in crime, who guided her deftly through this harrowing emotional trial, and then did a brilliant pivot to help her with its aftershocks too.

A big part of the central dude’s sales pitch was “you’re not wealthy enough to do this the real, legal way with a top-ten school.”

Don’t dog on Hallmark too much. They’ve figured out a way to convert Xanax prescriptions for middle-aged ladies into movies and/or television series.

“Stealing jobs from other, more-deserving felons” seems a hyperbolic-yet-still-fair summation of the acting business in general.

I dunno man, I think this is a situation where there was a glaring fuckup in her modeling - the head shape, and facial features relative to that weird head shape - and their stubborn refusal to address it is just having a cascade effect on every other “improvement” they make vis-a-vis realism. Oh cool, the rest of her

There is no “Mexican Standoff Exception” to incarceration when you’ve been convicted and sentenced by multiple American jurisdictions. Hell, there probably isn’t even one if it happens in Mexico. :-P

Some of them are just super passionate about carpooling, and that’s hardly insane.

Honestly, most of their art is so puerile that it doesn’t deserve the benefit of any doubt. You’d have to focus more on the interviews they’ve done, and especially the few where they drop character.

“I can’t believe nobody’s found and deciphered the nipple steganography from Season One yet.” - a baffled Witcher writer

Adding insult to injury is the fact that ICP is, underneath their ultra-juvenile attempts at sarcasm and satire, pretty anti-right-wing. And the Juggalos, for the most part, seem to respect that vibe. Reportedly, their tolerance for skinhead infiltrators is really, really low - and you have to think that skinheads

If this is review bombing, then review bombing is not a bad thing anymore.

I remember being baffled and frustrated by some of D2's design decisions 30 years ago. 20? A million? Sorry, it’s getting hazy.

Well sure, I’m “just” pointing it out again, but in context, it’s an explanation for why these types of Very Special Episodes don’t work, and, ironically, why they fail particularly hard when they try to grapple with down-to-earth issues like, say, the lack of affordable housing and other assistance for black ex-cons.

None of this shit makes any sense in the context of a show that is ending in eight episodes. None of it. It’s actually a pretty unique train wreck, come to think of it. I don’t think I’ve ever seen a show that knew it was ending, ostensibly on its own terms and with fair warning, be so utterly brazen about writing as

So anyway, here’s the joke: Kelly tears into Supergirl for her “blind spots,” Supergirl gets a stunned look on her face for five seconds and then agrees completely, and then fucks off to Africa and Asia to help hundreds of millions of people who are way worse off than the two brothers she was literally just helping a

I recommend incorporating a higher proportion of complete sentences into your writing style.

Seems like bad sportsmanship to try to get Djokovic yellow-carded so transparently, and so close to the end of the match.

This is why you need an anti-hero anti-Supergirl running around doing high-level Robin Hood shit. It’s a killer showdown of values that legitimately challenges Supergirl’s perspective.

SR is a cartoon riff on GTA with absolutely nothing to say. It’s hardly surprising that it struggles to make any kind of an impact at all. Much of the time, it feels like it’s trying to beat GTA at a game that GTA isn’t even playing.

This is a lesson that should have been fairly obvious: you gotta “teach” the computer about particular art styles. I mean, the Caucasian bias here does not surprise me at all, because Japanese illustration anywhere near “manga/anime” has weirdly converged with White People, and that’s just one of those strange things