If only they told us what Exit they used.
If only they told us what Exit they used.
Also make sure the warrant has a judge’s signature on it.
People who like the Milius film often haven’t read Robert E. Howard’s stories. Want to know what makes Conan fun? Read The Tower of the Elephant or Red Nails.
Sigh. If only they had filmed R.E. Howard’s stories.
So ... a powerful new alien race they’ve never heard of, and they don’t float the idea of Federation membership?
When you’re on the witness stand, always pause before answering the opposition lawyer’s question — to give your/the other attorney time to object, if necessary.
A titan. His 1968 work on Deadman has never been equaled.
You misspelled ‘batshit crazy.’
Only because we will never speak of Torchwood: Miracle Day.
Paging Grant Gustin.
There can be only one.
So, technically, Ka-Zar is the earliest superhero published by what became Marvel.
Stone Boy from the Legion of Substitute Heroes, which itself would make a damn fine spinoff show in Gunn’s hands.
And since Shatner and Joan Collins are still with us, Kelvin Kirk meets a variant Kirk who is fighting Nazis with Edith Keeler, reformed pacificist.
They should lean into this market, and rebrand themselves as the ultimate source for revenge products.
Ackbar (Admiral?) from Star Wars
Bowman (Dave?) from 2001
Idaho (Duncan?) from Dune
Ripley (Ellen?) from Alien
O’Neill (Jerry?) space station proponent and inventor of the mass driver (rail gun technology)
Rico (Johnny?) from Starship Troopers
Ryker (Will?) from Star Trek
Thrace (Kara?) from Galactica
You are correct, but ... the military perspective, much like the diplomatic perspective presented by this show, appears to be whatever the writers need it to be, regardless of logic, tradition or history.
Example: this is a diplomatic meeting of Federation and non-Federation members. So why was a Starfleet Captain…
Keaton and Cavill would be great ... especially if Keaton acknowledges that the Chris Reeve Superman gave his life to save the world a decade earlier.
It’s a powerful scene, especially with an actress of Cate Blanchett’s caliber. But when her voice changes, the imagery always remind me of Ralph Bakshi’s version of the story. We hates it.
Polly Gray on Peaky Blinders was always the scariest Shelby.