It probably has to do with the Half Measures story. Breaking Bad is known for leaving things ambiguous, but not too ambiguous that point A can't be linked to point B.

Because fuck Club Soda.

True. So sadly, no Gus. Unless Mike gets his own subplot as he carries out Gus' ulterior motives, which I could personally get behind for the sake of more Jonathan Banks.

So there is deception there that won't bring Gus into the fold of the show unless Saul lied to Walt about not knowing, but there would be no way of explaining that without it becoming convoluted and disingenuous to the already perfect, mother show. All we have to wait for is the day that Saul hires Mike, which being…

Well he isn't Gus' employee yet, so there is that. Saul has yet to be introduced to Gus, too. Maybe Mike will become an employee for Saul because in Season Three, Saul called Mike his PI, while also comparing him to Thomas Magnum. Eventually Mike will be hired be Gus, and then WHAM! The gangs all back together.

Saul's impression of Mike as a troll who desperately loves his stickers was my highlight.

I think one of AV Club's reviews from a few episodes back described my feeling about this show perfectly. The jist was the show really has it going on when it ditches the artsy fartsy stuff and just gets back down to pure pulpy entertainment. When it does anything else, it feels like a chore because they are trying…

Did any body else count the Winnebago's?
I am awaiting the return of Skinny Pete and Badger galore! Hopefully they're in the middle of making that wicked Star Trek script.

I have yet to read anything about The Last of Us on here. Holy shit.

I dunno, maybe since it is left ambiguous. But I figured since the player can return to check on her, that it was left in the air because they wanted her to live. Sort of like a last vestige of hope. Maybe I just love the idea of an entire civilization's destiny hinging on that of a baby girl who has no idea of the…

While Fallout is usually inclined to present an epilogue based on the choices that you have made, I would argue that the fact that they left the effect ambiguous works in this case. Any choice you make never comes with a surefire outcome based on the one that you wanted to happen. There is always room for error and…

The slaves think that by having the baby that it will produce morale for the slaves and will eventually, over time, be able to produce a cure. Which is bullshit, because the slaves lack the Brotherhood's technological and medicinal skills. There is thematic heft there, but it doesn't concern the choice of whether to…

It wasn't the murder of a child that was a main issue. It was about murdering her parents, and by doing so, completely changing the course of history for The Pitt society.

With whatever choice you make, you can bring the child presents. So they didn't eat her.

The Leader of the Pitt was actually the only one that chose not to call people slaves, so I wouldn't say he is a slave-mongering dictator. I feel the man just needed to make results in a world full of nuclear fallout and abound with wild men who will steal from, rape, and then murder you. Eventually as they progress…

The score was what ruined it for me. That grungie guitar shit just didn't work. Also, the melodrama was played too loud. Vaughn should just stick to violent exploitation.

I liked the one where a prisoner on a meteor is given a robotic woman to keep him company, and begins to see her as a real person. It's science is dated, but it's themes of human companionship were way ahead of it's time.

Gone Girl
I remember my professor saying that while gender roles are bound to be talked about once you see this movie, one of the most important aspects of Gone Girl is social and economic class, and I totally agree. I find it a lot more interesting to watch on that level than I do when I think about gender roles.…

These articles must run on dial-up with how out of the times they are.

Yeah, well, that's just like your opinion man.