The most Hitchcockian of them all was probably Box Cutter. Such a tense episode with moments of just really dark humor. I think my favorite was the cut from the mopping of blood to some guy dipping his french fries in ketchup.

SPOILAH ALEWT

Or just quit Infinite now before you're left feeling "what the fuck" about it all. I definitely recommend that, but I hope you enjoy that game.

The original Bishock is the must play game, and prerequisite for understanding the series as a whole picture, but Infinite is a pretty good game too. It's feel is a lot better because of how new it is, but the original Bioshock will probably always stand the test of time. Just a good fucking game.

Fuck Lady Comstock.

I finished both seasons of Black Mirror , excluding the 6th episode, "The Waldo Moment," because I can't get around to spending time on the episode after seeing the reception it got (even though you can learn just as much about what works from the bad ones as you can from the good ones). I was very surprised by how…

Story of my fucking life.

I totally agree. She needed a lot more nuance and depth. But then again, she is gonna be screaming and running for the rest of her life.

This is easily one of the best comments I have ever seen.

Well, for her to be confused, stuttering, and grabbing her head in pain was the written word. They gave her material and she acted on it because that's what the episode called for, and probably the creators too.

I really would have preferred less sound and more eerie ambiance. That way when the sound cranks up to eleven, you really know the shit is hitting the fan.

As a big fan of apocalyptic fiction, ever since the change between both the times and realities of the first couple of episodes, I was waiting for them to take a jab at the genre and hopefully have it lead up to the standards of Fifteen Million Merits. While it certainly wasn't a bad episode, it's kind of sad to see…

I've consumed the seasons of this show wholesale so it's hard to say if using this as a season opener did it any good in the ratings, but I can say that they had the right ideas. A slower, more meditative episode exploring grief through technology was awesome, and it's great to see this show trying something different…

I don't really see any reason to speculate any further about Bing's past than is presented in the episode, but how he traded in one cell for another when he was so intent on moral retribution does speak quite a bit of his character.

I disagree. While I enjoyed the first episode on it's initial viewing, the second episode really made me put it into perspective because of the drastic change in ranges of storytelling. It actually made me appreciate it more for what I thought this show was going to be, but I see what you mean. They really played on…

To each their own, but I would love to hear how big of a second poop shoot you tore over The Hunger Games.

Agreed. To paraphrase Chekhov, introduce a pig in the first act, you better be fuckin' it by the last.

This is both a beautifully handled piece of television and science fiction, and I will probably always look to it as premier example of good storytelling and morose humor.

I see a lot of back and forth going on over the character of Liam when I think that anyone, man or woman, could be brought to his same level of self-destructive bigotry. Having said that though, how compulsively neurotic he is throughout the episode leaves him a little one note. He is less of a full, fleshed out…

What ever do you mean? Revolutionary Road was already a rollicking good farce.