gametr4x
gametr4x
gametr4x

I guess for some programming it counts, but I was recently rewriting the core code of a 2D platformer for the third time in a row, and we're doing some completely counter-intuitive things physics-wise which just end up being perfect. No robot would try that.

Can relate to the first case, and the advice is solid. I recently had a fling for the first time in... what... 7 years? Didn't last too long, but I did realize I couldn't really have a relationship if I hate myself. I can love the other, but I won't let them love me back.

That second option seems weird to me. I mean, going after people you find unattractive kind of defeats the purpose of the exercise, at least when it's about hooking up with someone. If it's about friends, then sure I can get that, but I've never really had a desire to be around other people. Maybe I'm just weird :P

That's the easy part. The hard part is figuring out why everybody had Palmer on the us side of the "us vs. them" that's going around with Facebook these days, and if that "us vs. them" is even a thing statistically, or if it's a vocal minority among backers. They should do a poll and see how many backers are really

Because he couldn't sell it back when he didn't have the community he has today. Now he can.

You can see it most clearly around 0:44. Right next to the pillar on the left side, there are bright sections in the perturbations on the water surface, which are likely pixels of the rendered pillar in the foreground. The compression doesn't help, obviously

Absolutely. I think the increase in specular influence between objects is most impressive a difference between previous rendering methods.

Yeh, I'm not sure exactly how their pipeline works, but I've seen similar things caused simply by rendering the water after the set of all diffuse objects, which causes things in front of transparent water to still be part of the "background" render texture. The only reason it shows up at all is because they're using

I've been looking for better information about the whole PowerVR thing, but there's really not much beyond a handful of articles (which appear to mostly be reposts) and some really shoddy on-scene footage from trade shows, where they often show off things in a very non-PR-savvy way, with tech demos that show very

It means we're still using parlour tricks because of a lack of hardware performance, or the necessary technology to do it more effectively.

Although light propagation is handled really well by this, there's still the issue of the pillar being refracted by the water that's behind it, which is an artefact of cheap approximations of light refraction. Can't wait for ray traced lighting solutions to become viable. There are some hybrids currently in operation

Yeh, I've been making 2D games with Unity for over 5 years now. Not always a pretty picture, but the ease in porting once you're done more than makes up for that (if you can sit it out). Most of the games we do end up costing about 100-250 thousand to develop depending on complexity. We tend to spread this out and

I half-expected you to end that last anecdote with a titan landing on top of both of you. That would be a hilarious ending to a moment like that.

Back in College I integrated a WiiMote and HMD into Half Life 2, which would allow you to split the view from the gun entirely. It was actually quite playable in the end.

Pacman 3D you say?

The only thing (aside from maybe the character close-ups) that made any sense here is the comparison between the march/may footage pieces containing the same things. The march one appears to be compressed to a far lesser bitrate, making any straight comparison between it and the e3 demo footage nonsensical.

Exactly. You're paying for additional convenience once, not paying off frustration forever.

You can quickly tell expertly made sushi from amateur sushi by holding it upside down. The fish should stick to the rice enough not to fall off when you dip the fish into the soy sauce.

This is a fantastic idea! Maybe they could put up some chairs at weddings, and make it all about the salami that they bring to the table. Oh screw it, it's all baloney!