Dumping Kicking Television is sacrilege though. One of my favorite live albums, up there with Rock N Roll Animal, Stop Making Sense, and Live Rust.

Just got Castlevania: Symphony of the Night for the PS one. I'm loving it.

I think there's a way to do this that could make up for the fact that it's all internal monologue (try making the whole thing look like a single shot maybe?), but I'm certain they'll take the easy way out.

Misery, i.e. How Gerald's Game Should Have Been.

Best review I read said 200 pages were really good. Sadly, the book is 400 pages long. Still, some of it seems like it could work better in movie form.

Milo claims to feel bad for her.

Over a fucking movie.

It's funny. I came of age about 15 years after Barton Fink was released, and I remember that No Country for Old Men was the first movie I saw that really challenged me. I wonder if the Coens sort of act as a "My First Auteur" for people.

Sorry, but Okkervil River's The Stage Names is a classic.

When I saw them on the King of Limbs tour, they did The Amazing Sounds of Orgy. It was a highlight, which is saying something cause that's the night they premiered "Ful Stop."

Still one of Radiohead's most underrated songs.

It's actually the fact that Annapurna is putting this out that made me excited. That Megan Ellison has impeccable tastes when it comes to picking what projects to produce.

Songs in the Key of X, and strangely enough, Stranger Than Fiction.

Peter Travers (who has generally been very forgiving to DC movies so far) has said this one makes Fantastic Four look good. That scared me off.

That was a world class comment.

Stop Making Sense and Live Rust I consider greatest hits albums in all but name, and those would be my picks.

I'll cop to not being a Petty fan. The whole reason I like "American Girl" is cause the Strokes ripped it off, but I do bow to the sublime weirdness of "Don't Come Around Here No More." Essentially, I think of him the same way I think of Foo Fighters. Not a fan, but glad he's around to deliver solid, respectable rock.

These people are always mocking the far left for wanting "safe spaces", but somehow remaking a movie with four women causes them to spew racism and sexism. Who are the real babies here?

I know, right? I've been feeling the same way too. At least we have the AV Club, where most discussions are civil.

And I remember that that's why I like this place. It seems to be the only place anymore where we can have a passionate argument that ends politely, without using Hitler comparisons.