I had one! Man they were lame.

Coincidentally, Bonertown is the title of his next movie.

I think they’ve always been hard to take seriously, apart from a few key works. Even the Return of The Living Dead films in the 80s played them for comedy.

I remember when people felt the same way about Tim Burton. (It was a long time ago)

James Cromwell played about half a dozen characters over the years, many of them without makeup.

Well, since I didn’t see anyone else respond to the question (although there are A LOT of comments), to me Tyrion’s favour from Davos was pretty obvious - smuggling Jaime out of camp so he could get into King’s Landing.

Hmmm, as a fellow Australian, “poms” means something very different to us.

Cocaine’s a hell of a drug.

Of course the “raining” line is supposed to be a joke. It doesn’t land because of McDowell’s delivery. But it’s not entirely her fault, as you say. The problem is her American character is being given the same type of dialogue as the English characters, and that very English humour doesn’t quite work coming from…

Wasn’t this one of the movies that kicked off the whole “wedding/bride” title craze?

It’s not in the same league as Blackadder, but it’s charming enough. 

As corny as it is, I enjoy Upstart Crow, Elton’s old-fashioned new sitcom about Shakespeare. In an episode of that, Elton takes the piss out of jukebox musicals and his own work in particular. I appreciate he can laugh at himself.

Except there is a spin-off of the Mona Lisa. Mona Lisa: The Prado Version

Agreed. I thought the Baby sketch was ok but dragged on way too long. I didn’t actually make it through the first episode, but of what I did see, the opening one-way door was probably the best (ranked the worst here).

I saw a TV spot for Detective Pikachu and it appeared to contain Ryan Reynolds making a masturbation joke. Which made me wonder who this movie is for, exactly? Roger Rabbit felt like a film aimed at adults that kids might enjoy, rather than the other way round. But I assume Pikachu is meant to be for kids.

It was what turned me on to musicals, but (like Romeo And Juliet itself) it drags in the third act. Plus it’s so heavily front-loaded with great numbers, with nothing in the second half to match them (‘Cool’ is fine, but it’s a lesser song).

And what would a Jew know about racism?

I am not a peck!

I know there can be incompetence in filmmaking in editing, shot selection, lighting, framing, all that stuff. But that timers thing is next-level, The Room-type incompetence. 

Guessing this was someone’s dad. We’re lucky he had the camera facing the right way.