"Crazytown. Population. Me, myself, and I."

"You dun' fucked up now! You took the broooooooooooowwwwwwwwwwwwnnnnnnnnnnnn ssssssshhhhhhhhhhiiiiiiiiiiiiitttttttttttttt!"

"Hey, dude, put that flamethrower down man. We can totally co-exist here dude."

"White men win again!"

Does she invoke Paula Deen in his defense?

The name is a metaphorical inversion, combining two objects that shouldn't have a connection until presented in the context of the film's premise. In this case its applying a mechanical element to something organic and natural, as with the film you have an element of society and science ultimately coming to odds with…

Be be balanced, I thought I should include at least one American knock off.

Gives new context to that volley ball scene, eh?

There is definate Henson influence on Chewie in the design but the walkback to the final design is interesting as they dialed back on the fearsomeness of it which ultimately makes him a little more compelling; a giant teddybear that can crush your skull.

Links. Bitch.

I think there is a fair bit more nuance and measure to crafting a multimillion motion picture than there is to building a house, that and Murphy's Law several thousand times over.

The problem with that statement is that films are not made that way and nor should they be. If something is in post and you can identify a clear need for reshoots then full fucking steam ahead on that. Evoking WWZ for that arguement is even more troublesome because that film was by all accounts better after reshoots…

But thats my fucking point, blame the studios but on the effects side you most certainly have people who willfully make bids they can't realistically keep or optimistically hope to keep until there are reshoots on the production side or a director without any sense of discipline when it comes to post. Call it "lack of…

What needs to happen is that above the line players need to take a serious haircut, studios/producers/directors need to establish firm working relationships with effects companies so that their overhead doesn't soar in post, and people in charge of IP development need to communicate lesser known properties better to…

"My special name for you will be slave dog."

Why do I get the feeling this was potentially a great film under Aronofsky and became a mess when the new director decided to put "his" spin on it?

“See, Rodney King has a face. Trayvon Martin has a face. Some of these issues have a face and a personality,” Green noted. “One thing I will say on the Redskins side of it, there is no face or personality.”

And of all things, it takes this article to make me realize that the batters box looks just like a giant throbbing cock aimed at the good seats behind the mound. Now I finally get baseball.

"I've apparently had these since birth but now I'm crying like a little bitch because real men cry Hugh Jackman!"

"If you somehow 'grew out of' me tearing a mans still beating heart from his chest, its time to meet Kali, in Hell."