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He did cause much negative rhetoric over the years and has always been somewhat of a lightening rod, but he remains recognized as the main figure of the second generation of studio glass artists and made Seattle its center. Harvey Littleton and a handful of others are the first generation figures. After his very good

Most glass artists don’t create their own pieces by themselves; it takes more than one pair of hands to make the works from holding the blow-pipe, others to prepare the glass pieces to add to the initial gather of molten glass to the blowers, tweezer manipulators, the people in charge of the glory hole, workign the