It has a weird ubiquity where it's not only overplayed already, but once it gets used in a TV show, it immediately recharts and is everywhere again for like 2 or 3 weeks.

This season started out great but got really hit or miss midway through (Get Schwifty, jesus fucking christ…). Had the show maintained its quality better I feel like I would've liked this episode a lot more There's nothing really wrong with this episode (though using Hurt was way too on the nose), but after a lot of…

I'm skeptical that it would be any good, though we're at least guaranteed a few great tracks at least.

And they really are unintentionally hilarious live, almost like if Urban Outfitters were a metal band.

I have no real dog in the Trve Metvl fight (though people should stop comparing Deafheaven to Shoegaze), but I thought the album felt like it was trying a little too hard to get metal credentials while also still appealing to the indie/Post-Rock crowds, especially with how much of it resembles portions of songs by…

my guess is he'll eventually transition out some of the more obvious Stewart material in favor of his own voice. That was pretty much how it went down when Jon took over for Craig.

Going full brightness and clean lines takes away a show's personality.

eh, C- seems pretty spot on.

it was kinda uneven at first, but the Tina portions really brought it together.

my work gets Washington Post at work. It's a terrible and condescending rag, but it's rather funny watching them mostly talk shit about Trump, but not quite going the full mile in case he actually clinches the nomination.

I felt like Rixty Minutes was an obvious filler episode, albeit mostly funny and at least served a purpose of tying up a loose plot point. This one just felt pointless and only kind of funny.

this is probably the first it's occurred to me that some would have a problem with this episode. if it's not the Simpson's most ambitious episodes, it's pretty funny through and through.

Time Baby III is fairly standard stock shoegaze. Good, but it's not at all indicative of what Medicine actually sounds like. (it's also a remake of an earlier track.) Medicine themselves actually appeared in the movie.

The Invisible Way wasn't bad, but it sort of felt like the band was treading into generic Adult Indie territory. The sequencing on this album is a bit haphazard but shows the band still has some creativity left in them (and puts the way underwhelming new Beach House to shame). Also nice that Drums & Guns isn't quite…

my rankings:

the twist was obvious just by watching the trailer.

no kidding, this is about the most unsubtle movie "deep" movies I've ever seen. It begged to be taken seriously.

Embryonic is great, but they soon after devolved into gimmicky bullshit. That may'e been forgivable if The Terror was at all worth more than one listen, but it wasn't. This just seems like another entry in Flaming Lips fucking around and delivering a gimmick with nothing to really show for it.

she was great in the final season, but I thought the character was mostly awful before then. Probably didn't help that after Jim & Pam's story was mostly exhausted they tried to make Erin & Andy a thing and it was uniformly terrible, which is what she spent a bulk of her time doing. It was pretty telling that they had…

something about this one makes me think that unless Beach House really does something new with their sound next time