you’re right, it’s worse.

Interesting. I don’t know what it means. But interesting.

We didn’t really get an ending for Ed and Peggy, though. If Cooper undid everything, that means all of the previous 17 episodes are pointless, right?

The finale was incredible - but wholly unsatisfying as a viewer. So many unanswered questions. I’d like to name a few, if you don’t mind.

Arrest Development started the “faux-documentary” style that P&R and The Office so enjoy (don’t quote me on that, I could be wrong), but 30 Rock doesn’t use that style and is it’s own thang. Same goes for Community. Plus, it has this: https://www.youtube.com/watch?v=311PP8ahDW4

*cough* Arrested Development *cough*

Exactly! Somewhere in the cosmos, “Careless Whisper” still hasn’t ended.

Vince Flynn (American Assassin) didn’t write for 24. He just wrote political thrillers.

I cheered when Cooper woke up.

I don’t judge an album by the first single alone, but if the album is just fifteen subtweets masquerading as songs, I might skip out. 1989 was so good, but this seems like a step in the wrong direction from that. That’s only going off this first single, I look forward to the others.

I have no idea how I did it but I got my Disqus connected. Woop.

I thought it was strange that you had time in there to play VOLLEYBALL, of all things.

I just wanted to tell you good luck, we're all counting on you.

Ah, yes. Can't believe I forgot that one!

I agree with Bruce Campbell on this one. Leave it alone.

Graham Yost has my trust after JUSTIFIED. Great TV all around. But yeah, other than that I haven't seen anything of Amazon's originals that looks great. Maybe the new Channing Tatum one?

BOSCH, but that's only because I'm blinded by how great some of the novels are.
SNEAKY PETE contains some very great acting.

Damnit! At least it's still on Netflix.

Never saw it. But now I can!

AMERICAN WEREWOLF IN LONDON and CARRIE, that's cool. Everything else…. mehhh.