I was kinda getting where you were coming from before that last sentence.

I didn't like the first two seasons because it was a pretty routine police procedural that happened to be dragged on til forever. The show never gave us a solid supporting cast. Instead it introduced one archetype after another. The dialogue lacked either realism or artistry. Instead of the mystery getting more…

These last few years have had a few good things going on in the summer. No Breaking Bad. No Mad Men. No Louie. This year (unless Halt and Catch Fire is on point) it'll be lacking.

The lamer this show gets the more this site pimps it out. After a promising start this season became too single-minded, muddled and often just dull. Probably won't be tuning in next season.

I think it's more about her relationship with Delphine and Dyad. He's very suspicious about her "working with the enemy". I know there's a lot of Cophine love out there. But it's definitely a sketchy dynamic.

edit.

They actually skipped a week in between the first and second reviews, which couldn't have helped. Also, they probably should have gone back and reviewed the first season within a year of the show's ending.

I'm officially not feeling this show. The call for every character to be an utter idiotic besides the main protagonist and villain doesn't make it interesting character wise, and the plot is nothing we haven't seen tons of times before. The quirk factor seems forced instead of a natural part of the show's DNA. Pretty…

I thought I would be in your position. But I'm pretty much like everything this season has to offer thus far. But maybe I prepared myself because I knew the show would simply not be going back to the feel of these first eight episodes. I;ve been surprised that it's as intriguing and sleek as it has been. I't's still…

I don't think anyone assumes Harmon writes every episode, but he definitely contributes to and runs through every script. Despite the talents of contributing writers, a hands-on showrunner/showrunners deserve the gist of the credit/criticism. They have the final say and dictate most of the story lines and the tone.…

Not too familiar with the cartoon. Enjoyed this quite a bit. Like it more than "Abed's Uncontrollable Christmas". Always felt meh about that one.

Claire is just a lot more intriguing and mysterious than Frank, and I think Spacey's performance is mostly dire while Wright frequently elevates her mater, so I can't help but want more of her.

The show's best episodes still hold up, though I lost interest midway through season 2. The more ambitious plotting and commentary didn't work for the most part. But I'll check out the new season just for the sake.

While Asylum didn't have the ratings and internet buzz of this season it did appear on quite a few more critics' top ten lists. And I think the last some odd episodes of this season killed much of whatever acclaim was initially there.

Vol 2. is a near masterpiece. The first is just stitched together genre porn. It's fun however.

I can agree that they come around too often. This was a very good episode, but it's a lil' overwhelming after the last couple of installments. Then again, balance has always been a problem with this series, and I've learned to accept it.

I want to be Britta Perry's wife.

I definitely wasn't offended. Hell, there's a decent amount of dumb gay people that feel there should be a "man and woman" and get agitated with any type of different pairing. Everyone feels the urge to categorize.

I happen to be a mo, and while I don't think that means I can speak for all gays I can confidently say that your comment is woefully off-base. There are plenty of gay couples where each are feminine or both are butch. I've been in relationships with both masculine and more effeminate men. This whole "there must be a…

I think most people think the second half of season two and the second half of season one is the show at its peak. I'll keep watching, but the show does seem to be moving backwards and trying too hard, almost like the first half of season one.