I agree. It's a piss-poor adaptation, it messes up pacing, character, theme and tone at least, probably more. But once it diverged enough to be 'vaguely inspired by' and struck out in its own direction more confidently it definitely impressed.

They keep trying to rehabilitate her, and I was ok with her as Eve, but this hybrid is really annoying and while I understand her fascination with the Splinter she's really doing it the wrong way and making herself more annoying.

The toxin would have been on his clothes, and Lucifer's, and she was in full body contact with both of them and inhaled…

That's the rule in the comics, they have a body that appears humanoid and can cover up wings and things to pass on Earth when they need to.

In fairness, she 'consulted her colleagues' on the toxins.

Given the cliff-hanger, I think Luci is going to realise it doesn't matter, whether or not Chloe is a miracle baby and a part of God's plan for him, what he feels for her is real as it what she feels for him and he's going to enjoy that regardless.

The way it's cut together, Robbie kills Meghan in 1996 at the same time as the conversation between Raimy and her mum 20 years later. They start and Meghan was alive, part way through Robbie kills Meghan and so she's not a patient and Raimy's mum forgets the conversation.

They went to Diana instead of the stick though. I think it was Monroe said something like 'I can't find a spell to cast on a Grimm to fix this that doesn't kill him' and my first thought was 'so kill him and use the stick to bring him back, no problem.'

The End - The Doors. It would work for my outgoing music, but the change in tone from mournful to manic serial killer neatly sums up my feelings about today's transition too.

I'm not quite sure when but honestly I only watch this for a bit of Peyton List. The story started accumulating plot holes a long, long time ago and the characterisation started getting more and more off-kilter too. If it was going to be a full season I'd have bailed, but I figure I can stick it out for another…

I started watching this show four months ago despite the pre-season trailers because of the the first episode's review. Technically I guess it was a rom com, there was lots of romance and a hell of a lot of really unexpected, and surprisingly mature comedy. Really refreshingly they were mature about all kinds of…

Yup, I thought they were possibly in Canada but definitely not in Iceland. It was really pretty though, so I was prepared to cut them some slack.

The context for "don't let anyone talk to her" was shown as psychiatrists doing a consultation, which is typically longer than a five minute though.

I think it's a mix of hubris - he's watching Moriarty, so thinks he can spot anything and swoop to get him into custody - and a belief (right, basically) that 5 minutes isn't enough to get Moriarty to do anything really nasty.

For all Mycroft is intellectually smart, he's emotionally stupid. He doesn't see that they can cook up anything truly dangerous, since Euros is jail, Mycroft is under surveillance.

Overall I have sympathy with this statement but part of me wanted to see this, even if I didn't necessarily know it before hand. Sherlock the great detective with "that deductive thing," as Watson called it, is interesting but knowing some more about how be became that way is really interesting.

I didn't mind the Mary DVD at the time, but the morning after I really wish it had been a Molly scene. I think I didn't mind it because I wasn't clock-watching and expected there to be a Molly scene too. That felt more important in the course of this episode although I can see how in the course of the season they…

The jump was jarring, I think because it went with a scene cut and we were left to infer the cause until later whereas the other edited timeline like that we saw cause and effect in close proximity and in the right order. But it wasn't as hard to understand as Gwen suggests. It's really not hard that knowing his house…

There were too many ways out of the Trust Me Knot. Renard found a good one. Nick has a splintery one - the knot strangles him and he gets resurrected.

Fundamentally they were 'Boo, hiss, Adalind betrayed Nick and we're on Nick's side' but if Nick says Adalind is cool a lot of the basis for hating Adalind has gone.