First sign of a sociopath. I think it’s in the current edition of the DSM.
First sign of a sociopath. I think it’s in the current edition of the DSM.
Fucking their pizza and jizzing all over it would only improve its flavor, sadly.
Charles Entertainment Cheese is not one of the savory pie’s finest craftsmice, that’s for sure.
Fare Thee Well, Robotic Dead-Eyed Nightmare Bear and Friends.
The kids always swear up and down they’ll take care of it, but they never do.
I’m fuckin’ hungry NOW, y’know?
Also, the fact that the Fat Trout Trailer Park seems to have teleported from Deer Meadow to Twin Peaks.
Vedder’s song is the only thing of his I can ever remember enjoying. I’d dig an album of him in that mode (he typed, trying to banish the memory of the ‘Into The Wild’ soundtrack from his brain yet again).
For as much (both banal and supernatural) evil is on display in this episode and in the entire Twin Peaksiverse, what struck me in this episode the most was the emphasis on goodness, kindness, and humanity at its best. Janey-E may have started off a brassy shrew, but I’ve come to really sympathize with her and…
I remember almost giving up after about episode three. I’m not a huge comedy fan, so a comedy has to be REALLY damn hilarious to keep me sticking with it. But for some reason, I watched episode four, and immediately binged the rest of the season that afternoon. I remember thinking ‘this show is one of the best shows…
“...a worrying sense that home property values are at the mercy of mother nature.”
A lengthy article on this fine film, and not a single passing mention of the novel on which it’s based.
Also:
“...Jenner has a bold counterpoint: Ignoring all warnings and essentially saying, ‘Nope! Not true, I claim, based on literally nothing!’”
Gosh, sounds vaguely familiar, maybe from somewhere in the past year or…
‘TCM’ is as relentlessly bleak and harrowing today as it surely was in 1974. It’s one of the most disturbing American films ever made. Pure documentary-style terror, but also featuring incredible cinematography, art direction, sound direction, and a real powerhouse performance from Marilyn Burns.
Folks who don’t like…
I’m not a Taylor Swift fan in the slightest, but I realize this is an absurd reach and nothing but confirmation bias.
You lack the cognitive reasoning skills to look past your immediate judgment and disdain of all white people to see that this is a ridiculous reach.
I HATE WHEN WHITE PEOPLE HAVE AN OPINION, WAAAAAAAAAAAAA
I know ‘payback’ is in and ‘equality’ is out and all, and that every white person ever is now to be regarded as an inhuman conniving demon, but this is one of the biggest reaches to try to make someone look shitty that I’ve ever seen.
I think poptimism is a cancer and I’m no fan of this person, but wow. People really…
Maybe don’t camp up incredibly sad situations where the victims’ families and some victims themselves are still alive? Just a thought, Murphbro.
Memphis misses out as usual.
The ‘Natural Born Killers’ soundtrack has a lot of garbage sauce, outside of Patti Smith. Subrate Leonard Cohen and Nine Inch Nails, and a lot of meathead trash.
I was just gonna type something like ‘what gives with the egregious lack of ‘You Get What You Give’ in this recut?’
What I’m saying is I like the cut of your jib.