When the suit gets delivered in by pod in Arkham City... unmistakably a nod to Joker. I love it when people make use of that.
When the suit gets delivered in by pod in Arkham City... unmistakably a nod to Joker. I love it when people make use of that.
It's a brighter picture for some countries when you take a closer look at the results: http://www.pewglobal.org/2014/04/15/glo…
To be fair, 90s hiphop might sound a bit alien to her. Plus she might be wondering who the hell Usher is.
I don't know if I'm being hopelessly naive, but I always buy either K-Swiss (because they're signed to the SA8000 commitment https://en.wikipedia.org/wiki/SA8000 http://www.kswiss.co.uk/customer/page/…) or New Balance because of their maintenance of factories in the US and UK: http://www.theguardian.com/business/2014/…
I'm glad they did it early. I thought it might be episode 1, in fact. I really hate the Build-Up To EPIC that TV shows feel they have to do, and the serial format ought to free TV shows from that demand of movies. I much prefer shows where the penultimate and final episodes are not certain to be the biggest…
Tut tut. Glitching through Kinja. Despicable.
:D I think Von Trier would have been aware of Dafoe before he was Green Goblin!
I think that was the Facebook page, or maybe Yelp, after the show aired. But yeah, you're right, this did happen and it was in direct contradiction of what she claimed in the episode.
"Sum: Forty Tales from the Afterlives" by David Eagleman. It's a collection of short stories, some very short, each one offering a different potential afterlife. (Don't worry if you're an atheist — I am, and I loved it, as have religious friends of mine!) Most of them involve or evoke sci-fi in some way, perhaps…
MCR's label may well have censored the song themselves in order to ensure airplay. BBC doesn't generally waste employees' time hunting through music to bleep out words, except on some shows where it's absolutely necessary. The Charlie Sloth and Westwood hiphop slots couldn't exist without it, since it's a publicly…
In every menu, there shall be one option called "Quit." Upon selecting that option, the player shalt be given one (1) pop-up menu that lets them either quit to the desktop (or dashboard) or to the main menu. Thou shalt not, under any circumstances, force players to first quit to the main menu, then quit again to the…
Also, it's not a game that was originally designed to be played over and over for hours in your quiet home. It was built for arcades, with lights flashing all around you, people watching your game, the sound of coins, and it was designed to be played in short bursts until your money and your Lives ran out.
Not to mention that this fucker wants to tell people that when I'm saying ":D" I'm actually looking like ":I"
[On ET] I don't think you understand how bad this game was.
That could just as easily be the record label though. The radio itself doesn't often edit tracks, since that takes time and attention. They would much rather just play the radio edit they're given, and the label might just take that phrase out to maximise the chance of the track getting played.
It seems strange that, in 2014, a radio station would object so much to an incredibly sanitized word for a woman's monthly bloodletting that they wouldn't play a song on the radio.
Maybe, since the side effects of scurvy involved severe mouth damage too!
The back of my brain is itching with a recollection of shipwrecked sailors being eventually rescued, but with their mouths all fucked up from eating pineapples. The trouble is, I can't be sure if this is a fact or an uberfact.
Although it's not a great tactic, and I'm not even saying it is a tactic, there is this — if you release a console with virtually no decent games and the audience is made to wait, the moment you release something half-decent, customers will dive on that like ravenous dogs. You can sell people games in this phase that…