I mean, this set sounds weak, but at the same time, without knowing how he actually performed these bits, it’s hard to say if any of it was good or not.

I did, a bit, but.  It felt too much like the wrong parts of Myst made into an inferior experience.  I’m sorry, in 2018 I can’t walk across an open field and the first door I see is locked.  I can’t have a not-Atrus talk at me through a window.  It all felt so bland and inelegant.

Wow.  That intro video reminds me, in a good way, of the original Myst and its tagline, “The Surrealistic Adventure that Will Become Your World.”  Back when Myst still had some surreal edge to it.  I loved MOST of what Cyan did in Riven and Uru and so on, but Porcelain Sun really highlights to me a critical element to…

I was wondering why this shoe appears to be bleeding out cinnamon toast crunch.

It’s really quite surprising that this is happening so officially, on a port project no less.

I find this really interesting as, I thought the official line, time and again, was that full-featured multiplayer with public spaces like plazas and colonies were quite literally impossible without rewriting the entire game from the ground up.

I’d feel a lot better about this if we had a better working knowledge of what Skull and Bones is going to be.

I’ve never seen such a...happy-go-lucky version of the savage wasteland.

OF COURSE Nintendo was going to do this. The idea of selling mere cardboard to a completely untapped game market has gotta be primo catnip to their brain trust.

I mean. I’m sure an Atari Lynx is twice as thick, and probably weighs at least twice as much as a Nintendo Switch.

Oddly disappointed by Shovel Knight 64. Like, I get it the reference (Commodore, etc) but was really hoping they were going for honoring that ill-advised leap into early 3-D platforming that sank so many third party characters when the N64 showed up.

Shut it Down.

Ryu and Ken look like goddamn Sasquatch when brought into the real world.

It’s like a Bloodborne Metroid. Especially with those Chozo. Sure, it tears apart a lot of metroid ideas and designs, but it’s a great study of what works and what doesn’t.

Dude in those walking shots looks incredibly uncomfortable.

It’s a bit like the front half of the horse belongs to a different perspective than the back half.

We sure this isn’t just a reheated version of when The Rock was totally gonna be Duke Nukem?

I can respect this.

The real question for me is, what is the first-party support going to look like in 2018?

I do wonder a bit, because on one level I’m sure what Kylo is telling Rey is what he probably wishes for himself, instead of being trapped under all these legacies.