Her attitude aside, it's kind of par for the course for black Oscar winners to be one-and-done affairs, which is a shame. Fourteen black actors have won Academy Awards, but only two have been nominated again after winning. The women are 0-for-7.
Her attitude aside, it's kind of par for the course for black Oscar winners to be one-and-done affairs, which is a shame. Fourteen black actors have won Academy Awards, but only two have been nominated again after winning. The women are 0-for-7.
Middle school principal Richard Stucking (Thomas Lennon) is thrown for a loop when a local news station misspells his name in an onscreen graphic during summer vacation. Once the video goes viral, Principal Stucking must find the nerve to face his sophomoric student body, lead by the cocky gym teacher (Jim Breuer) who…
Yep, with the accent on the third.
A Don Pardo opening credits supercut would have been cool.
FWIW, Eddie himself sounded confused. I got the impression that he thought he was introducing a video montage or some other pre-recorded bit.
Hearing Cheri Oteri pronounce her last name was a shock. Thanks to Don Pardo, I had no idea there were four syllables instead of three.
They omitted Horatio Sanz, too. To be fair, I'd completely forgotten that he co-hosted WU until someone else brought it up.
So did Fiona Apple bail at the last minute? I'm choosing to believe that's why we had to listen to Miley Cyrus singing.
I didn't know I needed a Courtney/Taraji face-off in my life until it happened. They need to shoehorn one of those into every episode from here on out.
That was meant to be an intentionally crappy "Blurred Lines" knock-off, no?
I love Courtney, but I was cringing at her almost unrecognizable profile during those club scenes.
I think that's meant to be an allusion to Def Jam which, during its 80s heyday, was home to a bunch of rap and R&B acts… and Slayer.
If I could trade with you, I would.
Jack Johnson, in general.
Where did that kid get a Wu-Tang Forever shirt in 1995?
I like both songs, but the similarity never occurred to me until someone brought it up in the first post.
You can never look back.
Sleigh Bells' "Crown on the Ground" is like a noise pop sequel to DMX's "Party Up". When you make someone lose their mind (up in there, up in there), it's totally fair for them to slap slap your crown on the ground.
Then there's "Champagne Supernova" and RHCP's "Soul to Squeeze".
"Cold Hard Bitch" = The AC/DC discography