So, I’m pretty sure this is the episode that the following fact applies to: there’s a scene with the two of them, I think eating a meal, and there’s chamber music playing. The music, it turns out, is Wagner’s Siegfried Idyll. Fun fact about that music:

Only the Laserdisc version.

Switch to making a TV show about doomed podcasts.

Oh yeah, 100% a retread of Dead Poets Society thing.  I still laughed because I’m a eye-put-out slut.

I will say that if Martin&Martin (how are they not billed as this? Too easy?) actually hosted this same episode next week there would have been a dozen cameos from SNL royalty.

I agree with the reviewer that it makes no sense that this is not the actual pre-Christmas episode.

Well, there’s this:

There’s also no ‘n’ in “dammit”.  “Damn”, but “dammit”.  Strange but true.

I can’t be the only one who saw that trailer and thought at first it was the trailer for WF.

It must also be very tempting for developers to put crafting in, because you get a lot of apparent content for relatively little work.  You create the ingredients lists for everything and maybe 25-50 ingredients -- maybe not even with 3d models -- and then you put hundreds of everything everywhere.  Done!

My favorite thing about Jon Favreau is that he played (in different continuities) both Happy Hogan and Foggy Nelson, who are pretty much the same “poor other guy”, and were both drawn by Gene Colan in the 1960s.

Like they say: it’s “need to know”, and you don’t need to know.

I think this is also true of Kenny in the earlier South Parks.

Sigh. “Incomprehensibly”.

Sadly, the Kinja quoting disaster has obscured whatever typos you were pointing at.  Like, totally incomprehensively.

Abbot Elementary is a solid example of that, I think; a workplace comedy with some minor social commentary.

Maybe it’s like Netflix with their custom thumbnails, and the algorithm just thinks you’re pathetic. Uh, ;).

They did that door-closing-etc last week as well, possibly not followed by the boots, but I definitely drew the connection.

They’ll find something, don’t worry.  (The Boomers were the post-racism generation, he said as a very, very disappointed member of that cohort.)

See, I think your c) is a positive; the trailer (which I’m not going to look up right now), as I remember it, lays out the basic facts of what happens, but because it doesn’t give all the key details, when you (ok, me) realize what he’s done, it’s nauseating. The problem is also that the movie doesn’t communicate that…